Motherhood Cliches: The View from the Summit

I've been thinking alot about figurative language recently. I can't tell you if this is because I'm an editor or because the fifth grade has a laser focus on it this year. At our house we tend to go from one person's project to another's pretty seamlessly. Call it a lack of boundaries.

Our most recent study seems to be cliche. I am a cliche, you are a cliche, he, she, it is...no, that's my other daughter's Latin. Those other numbers and genders are not the cliches, I am.

The multi-tasking mother. You know the one. Carpool, groceries, business meetings, lunches, dog poop, dinner, school meetings, out of town trips: is this week the editorial trip or the choir trip? And who will take care of the puppy while I'm away?

The minivan ads make it all look so beautiful, and at it's core, it is: how fine for a woman to have a strong family life and fulfilling work. And if it's a little chaotic sometimes, well that's where Folger's in your cup can just smooth out all the rough edges.

Last week I went to the Mom 2.0 Summit, a conference of bloggers and marketers, all focused on the power inherent in this mom life, rather than its potential for frazzle. Several of our authors were participating--Joanne Bamberger the wise PunditMom from D.C.; Karen Walrond, author of the blog Chookooloonks and The Beauty of Different; Mimi Vance, whose wonderful Words by the Handful books are coming out later this year; Jennifer Randall, one of the four teachers who have created  Answer Keys for parents;  Elizabeth Irvine, whose books on wellness are just what I need to pay heed to right now; and conference organizer,  Laura Mayes, Kirtsy.com co-founder who is responsible for our amazing Kirtsy Takes a Bow book. That crowd alone was enough to get my teeth off the motherhood cliche bone I've been working and get me on to some more nutritious fare.

Beyond the Bright Sky crowd, the conference was filled with even more women who were putting all the pieces of motherhood--of womanhood--together in ways that worked--for them. Isabel Kallman, the  AlphaMom; Tracey Clark, one of the visionary ShutterSisters; Kristen Chase, the Mominatrix; and of course, Jenny the indomitable Bloggess. Nurturing, sexy, sweet, wild, virgin, crone, whore, madonna: everybody was there; everybody was inspiring.

I noticed strong commonalities: motherhood, creative drive, authenticity, But more importantly, I noticed uniqueness. It was visible in the outfilts--everything from flowy maxi skirts to FM gladiator pumps, wicked witch striped leggings to Mad Men cocktail attire. But, more importantly than in the trappings, the spirit of individuality was tangible in the conversations.

The theme of the Mom 2.0 Summit this year was "Defining a Movement." As Katherine Center's powerful video proclaimed: What you're doing matters. I dare any mother to watch it without crying.

And it's hard to think back on my experience last week without some of the same emotion: the Summit (interesting word choice, but the view was indeed clearer) , the photography exhibit at Fotofest, the three day coalition of women refusing to be bound by cliche--no matter how appropriate some aspects of it might be.

Today, I'm a little off my game: the antibiotics haven't kicked in yet, the sink is full of dishes, the email in-box is screaming at me, it's supposed to snow and no one could find her jacket this morning. I'm tempted to say, Calgon, take me away. As if it could. But, instead, I'll take Katherine's words to heart: What you're doing matters.

As for the motherhood cliche? I think I'll throw out the figurative language and write my own definition.

 

If evolution really works, how come mothers only have two hands?
~Milton Berle
 



There's More Than One Way to Sing

When I was a little girl, my brother told me I couldn't carry a tune in a U-Haul. So I hit him.

When I was in my twenties, a good friend told me I was not allowed to sing in front of his child, in case she caught my tune.

When I was a Girl Scout leader in Harlem, I invited some friends to come to my girls' "fly up ceremony." Before these girls became scouts, they had never had the opportunity to swim, to do organized craft projects, or to sing Kum-bay-yah. I taught them every song that had ever moved me in the North Carolina mountains when I was a camper. After the ceremony my friends said, "We can tell you were the one who taught them the songs."

Guess what? I still love to sing. Unapologetically.

When I sing, I get endorphins.  If there were a Richter scale of endorphins, and you measured the seismic affect of various things--sex, drugs, rock and roll--it's a no brainer: the music tops the list. There is something about singing your heart out, never mind the tune, that just makes you wiggle and jiggle and tickle inside. It's cathartic: it's spiritual: it's fun.

The good news for me is that I'm not trying to make living from my singing. I'd be pretty thin. I'm a book person. I should still be pretty thin, all things considered, but carbo-lading and Whole Foods' truffled walnuts will get you through the worst of times.

I have an ongoing discussion with a few important people in my life: music or lyrics? Of course, I am a card-carrying member of the lyrics camp. But I think I'm adulterated.  I think the music influences my vote more than I'd like to admit.

Sunday was the anniversary of the day the music died. In honor of that, and in honor of all the times I said goodbye to Miss American Pie at my wild French cousins' house and sang along in my notable voice, I just want to say "Let's hear it for the band." It's never just about the lyrics. It's a synergy.

Synergy, synchronicity, serendipity, singing. "S"es abounding in my personal dictionary these days. And the beautiful thing about a dictionary is: you sing it to your own tune. There's no soundtrack. No one's done an orchestration of it. No glee clubs sing it. The words in my heart have a score that only I know.

I keep my tune in a U-Haul. Some--many--have been critical of it. But it keeps my toes tapping.

The beat goes on.

 

A friend is someone who knows the song in your heart and can sing it back to you when you have forgotten the words.
~
A wise person who forgot to get a good IP lawyer

 

And, two more thoughts on music: if you are a friend of Bright Sky and you know Patrick, you have to check out his band, the Journey Agents. If you are at all funk based. And, if you have your own band and need to book some gigs in Texas, check out Matthew Wettergreen's free ebook. And if you need anyone to edit your songs, remember that there are lots of lyrics people who go both ways.

Words. Music. Wow. La dee da de dee. La dee da de da.


 

 

Living on the Edge

I've been contemplating the concept of the edge. The leading edge, the bleeding edge, the edge of darkness. And there's always the possibility of going over the edge--being pushed, losing my grip or aligning too closely with the crowd and rushing off terra firma into the abyss. Like the Gadarene swine.

I'm captivated with the idea of using those doomed piggies as an adjective or a morality metaphor, rather than just as a biblical tale. Ever since I started looking into that trough of meaning, I have found so many circumstances where it fits. "No, you may not have an iphone just because all of your friends have one." 

I've been editing our Zen book. It touches on the idea that as cultures spin and change faster and faster, our inner equilibrium--our strong grip on what has value and what matters--is upset. That disequilibrium leads to all kinds of negativity and unrest--personally and culturally. Of course the Abbott explains these concepts far more profoundly than I can, but the book will be out this fall, so no worries; no one will have to rely on me to be their Zen master.

The books I am currently working on create a lens through which I see my own life--shades of meaning. Sometimes I see through a barbecue lens, sometimes a motherhood lens, and sometimes Sam Houston's spectacles. So right now, I'm looking at cultural change through a Zen lens--not just the aspects of change that suggest I need to be social media savvy or get all of our books digitized or answer emails 24/7 from one device or another, but also the ones that make it apparent that I need to master some new definitions about how the world works. 

There is rich vocabulary associated with this new world order: explorer, pioneer, settler, squatter,  claim-jumper, guru, shaman, messiah, Luddite, philistine, early adapter, hold-out...the list goes on, sounding suspiciously similar to the language in every history text I ever read about  any revolution, any era of change.

For so long, cultural change was accompanied by the cry, "Go west!." Once we smacked up against that shining sea that crashes so majestically against the California coast, that cry diverged; with some people looking up, and others looking further in. And whether people identified with the NASA types saying "Go to the Moon!",  the psychologists saying ""Go to the couch!" or the Lit majors saying "Look Homeward, Angel!" it was pretty much agreed that there were still new frontiers to conquer and to settle.

Now there's a new cry.  I'm not sure just what it is: "Go Digital?" "Go 2.0?" I'm trying to make sense of this new world that has evolved around my ink on paper self, doing a little exploring and trying to figure out what my role is in it. I don't have the full answer yet, but I know it's based on helping people bring their stories into the world; I know it's based on words.

I also know that I'm not on the bleeding edge or even the leading edge of this revolution. But I want to be a part of it. I'm ready to move beyond the inland amber waves of grain and the old gray factories further east, towards an energetic coastline, with a great unknown sea in front of it.

Where am I now on my digital journey? Not in the water, not even on the rocky beach with the crashing waves. I'm still up on the cliffs overlooking this sea change. The powerful possibilities look beautiful from up here. Through my various lenses I can watch the brave explorers map the territory ahead. I have so much respect for them, but explorer is not the best role for me. Watching and learning, I'm preparing for the next leg of the adventure. And as soon as I figure out my best course into this unknown, I'll set out.

In the meantime, I'll try not to get so close to the edge that I lose my balance.

 

 

Passionate Living
 
"Nothing great in the world has been accomplished without passion."  Hegel
 
by Dwight Edwards
 
Passion normally arises from two separate but united fronts. One is being on the edge. The other is being in the center. Today we will look at being on the edge. What I mean by this is the high adventure of being on the cutting edge of a new endeavor. Or it can be the excitement of infusing an old endeavor with brand new possibilities.
 
There is something innately exhilarating about going where no man has gone before, of blazing a brand new path, or risking reputation for the sake of a radically new venture. Ask Galileo, Michelangelo, Edison, Einstein, Gates, and a host of lesser lights about the internal ignition of "on the edge" living. Certainly it will be frightening, certainly it will be risky; but it will also be exhilarating. As Mark Twain put it, "To do something, say something, see something, before anybody else - these are things that confer a pleasure compared with which other pleasures are tame and commonplace, other cheap and trivial." How true!
 
It is on the edge that life upgrades to the point of true exhilaration. And this exhilaration helps fuel the passion to make something extraordinary of our lives. Hegel is exactly right - "Nothing great in the world has been accomplished without passion." And passion normally blossoms most bountifully along the ridges of innovation.
Flashpoint: Passion is often found at the edges.

Visit us at HighOctanefortheMind.com
Copyright © 2010 High Octane for the Mind. All Rights Reserved.

 

FYI: If you like that magical picture of the California coast, you can get a poster of it at All Posters. I might just do that myself.

The Three Princesses of Serendip

syn·chro·nic·i·ty : \ˌsiŋ-krə-ˈni-sə-tē, ˌsin-\ noun : circa 1889
1 : the quality or fact of being synchronous
2 : the coincidental occurrence of events and especially psychic events (as similar thoughts in widely separated persons or a mental image of an unexpected event before it happens) that seem related but are not explained by conventional mechanisms of causality —used especially in the psychology of C. G. Jung
ser·en·dip·i·ty: \-ˈdi-pə-tē\ : noun
Etymology: from its possession by the heroes of the Persian fairy tale The Three Princes of Serendip: Date: 1754
: the faculty or phenomenon of finding valuable or agreeable things not sought for; also : an instance of this

My life is filled with lovely words. These two seem particularly pertinent. Every day it seems some  occasion arises--I meet a certain author, or I find a meaningful manuscript--that could not have manifested without one of these magical nouns.

And these happy accidents all seem to be woven together in a larger web of intention. Not like a spider's sticky web trying to trap unsuspecting insects, but like a reassuring net under an acrobat. Or an elaborate rope ladder reaching to unknown places in the clouds.

Here's an example, a tale of three sisters: Years ago on a volunteer project I met Lizzie, a notably  intelligent, creative and kind young woman. I loved her energy and her ideas, and we became friends. She eventually went off to law school; our opportunities to get together and really visit became rare, but always a pleasure. Then I met her sister, Katherine, who was getting ready to publish her first novel. Katherine was just as wonderful as Lizzie, only different. Both were gifts from the universe.

But there was a third sister.  In any fairy tale, things happen in important numbers, three, of course, being one of the biggies. When Shelley, sister #3, moved back to Houston, 1 and 2 asked me if I would talk to her about editing. I wondered if she would be like Lizzie, or like Katherine, and if it would be possible for me to enjoy her as much.

Silly worries, quite unfounded. Number 3--actually the oldest-- is equally delightful, equally unique. A writer, an editor, a linguist and a mom, she was the perfect person to edit a book that had just come in through another serendipitous connection in New Orleans.  I was quite excited about the manuscript, but it needed an editor with a certain combination of skills to transform it from an amazing curriculum to an amazing book.

That book, now published as Oobleck, Slime, and Dancing Spaghetti, is filled with at home science experiments based on children's literature. The author, Jennifer Williams, has won the Presidential Award for teaching.  It's an inspired, cross-curricular approach to getting children interested in science through literature and Shelley's sensibilities were just what was needed to take it from the academic realm to the bookshelf in the family room.  Synchronicity. Serendipity. Or the next logical step in the path. Whatever you call it, the book won a NAPPA award, and we are quite proud of it.

Last weekend, I had an old song on my mind, the theme from the Thomas Crowne Affair.  Every time it spun through my head, it took me somewhere: the first time I saw the original movie with my parents; the album I played endlessly, picking up the needle at the end of the song and carefully moving it back to the starting groove; battalions of men in bowlers;  Renee Russo and Pierce Brosnan strolling Lexington Avenue. And through it all, russet leaves swirling, back and forth, from endings to beginnings.

Humming that tune, I went to a party where I ran into my old friend Lizzie. I came out of my reverie to realize that she had an autumn leaf tucked in her ponytail, and it was just the color of her hair. A tiny thing, but it spoke volumes. Coincidence. Synchronicity. Serendipity.

Lovely.

 

Round, like a circle in a spiral
Like a wheel within a wheel.
Never ending or beginning,
On an ever spinning wheel
Like a snowball down a mountain
Or a carnival balloon
Like a carousel that's turning
Running rings around the moon

Like a clock whose hands are sweeping
Past the minutes on it's face
And the world is like an apple
Whirling silently in space
Like the circles that you find
In the windmills of your mind

Like a tunnel that you follow
To a tunnel of it's own
Down a hollow to a cavern
Where the sun has never shone
Like a door that keeps revolving
In a half forgotten dream
Or the ripples from a pebble
Someone tosses in a stream.

Like a clock whose hands are sweeping
Past the minutes on it's face
And the world is like an apple
Whirling silently in space
Like the circles that you find
In the windmills of your mind

Keys that jingle in your pocket
Words that jangle your head
Why did summer go so quickly
Was it something that I said
Lovers walking along the shore,
Leave their footprints in the sand
Was the sound of distant drumming
Just the fingers of your hand

Pictures hanging in a hallway
And a fragment of this song
Half remembered names and faces
But to whom do they belong
When you knew that it was over
Were you suddenly aware
That the autumn leaves were turning
To the color of her hair

Like a circle in a spiral
Like a wheel within a wheel
Never ending or beginning,
On an ever spinning wheel
As the images unwind
Like the circle that you find
In the windmills of your mind

Pictures hanging in a hallway
And the fragment of this song
Half remembered names and faces
But to whom do they belong
When you knew that it was over
Were you suddenly aware
That the autumn leaves were turning
To the color of her hair

The Windmills of Your Mind
~Alan Bergman


 

All Emails in Time

I'm desperately trying to manage all my communications resources. When to email, when to call, when to meet, when to tweet, when to blog and when to throw my hands up and sob. And then there's Facebook.  Not to mention submissions. I want to be accessible, but I also want to be productive.

Friends have offered lots of well meaning advice: keep your responses short, use different mailboxes, have multiple accounts, have one account, face west and stand on one foot when you are answering emails. Of course, I also have a book about how to handle this quintessentially modern problem. And, of course, I haven't had time to read it yet.

But even when I am in danger of being overwhelmed by emails, I still like them. It's like a Go Fish game. Clicking on that little stamp at the bottom of my screen still conjures faint feelings of this-could-be-the-lottery-winner excitement. Something really wonderful could be just one click away.

I've improved my odds a little on having a happy surprise in my inbox.  Our author, Dwight Edwards, who wrote A Tale of Three Ships, a concise and useful parable about charting your course through life, has an email blast. Every so often--and it seems to always be just when I need it most--a short inspirational story pops up in my mail. Here is today's, just when I am tearing my hair out over time-management questions.

                                                        Spending Time Well
"Dost thou love life? Then do not squander time, for it is the stuff life is made of."  Benjamin Franklin

Time. It is the one of the few things we all share in common. And we all do something with it - for better or worse. It strikes me that one of the great difficulties in using our time most effectively is maintaining a proper perspective on its market value. In the push and shove of our daily lives, it becomes desperately easy to lose sight of the preciousness of these things called minutes, hours, and days. Arnold Bennett puts it well,

Time is the inexplicable raw material of everything. With it, all is possible; without it, nothing. The supply of time is truly a daily miracle, an affair genuinely astonishing when one examines it. You wake up in the morning, and lo! your purse is magically filled with twenty-four hours of the unmanufactured tissue of the universe of your life! It is yours. It is the most precious of possessions... No one can take it from you. It is not something that can be stolen. And no one receives either more or less than you receive. Moreover, you cannot draw on its future. Impossible to get into debt! You can only waste the passing moment. You cannot waste tomorrow; it is kept for you. You cannot waste the next hour; it is kept for you.

Franklin is right. Time is indeed "the stuff life is made of". We all are entrusted with the same amount. The only question is where and how we will spend it.                   ~Dwight Edwards


Flashpoint: Well-spent lives are the result of well-utilized time.
Visit Dwight  at HighOctanefortheMind.com
Copyright © 2010 High Octane for the Mind. All Rights Reserved.

And with that much needed perspective, I think I'll get off-line and go back to editing.

 

 

The clock talked loud. I threw it away, it scared me what it talked.
~Tillie Olsen

The Muse in the Bottle: Fact or Fiction?

 

The writer's life is an endlessly glamorized affair that is riddled with assumptions of one sort or another. Writers are [choose one of the following] dark, tortured, drunks, inspired, touched by angels, different, geniuses, crazy...you name it.

Spending as much time as I do around writers, I find them to be a charming, sensitive bunch, more driven than most to share their stories, a vulnerability that more cynical types might construe as one (or all) of the above conditions. But beyond that, there are really no one-size-fits-all characteristics of a writer. 

Take the idea that all fiction writers are drunks. I know plenty who are sober as church mice. But there are even websites dedicated to promoting the stereotype of the muse in the bottle. Recently, I ran across this quote by Roald Dahl:

 

It happens to be a fact that nearly every fiction writer in the world drinks more whisky than is good for him. he does it to give himself faith, hope and courage.  A person is a fool to become a writer.  His only compensation is absolute freedom.
 

I started wondering if that were true. An expert poll was in order

I called John DeMers, my favorite one-man expert poll.  John can opine on many topics, ranging from ballet to barbecue, and he's written at least thirty-eight non-fiction books.  This spring, he makes his fiction debut with Marfa Shadows, a gourmet noir mystery set under the mythic West Texas  lights.   

So John, I say, You're a fiction writer now. What do you think about what Roald says? Does fiction drive writers to drink? Is there anything to this stereotype?

John says, " Well, I never had a chance to drink whiskey with old Roald, or for that matter raise so much as a Shiner Bock or even a girly glass of chardonnay with him. Yet the fellow has a point, which in true storyteller fashion he saves for the big ending. Absolute freedom! Is there anything more glorious - or more frightening? Other than the ones who simply ARE drunks, it's that vision of absolute freedom that drives writers to drink whiskey. The "tyranny of the blank page," some call it. But it's more like the tyranny of the blank life - the fact that we have nothing and are nothing until we make something up. Come to think of it, I'm getting really thirsty now."

A toast to you, John. May you reach the literary heights of Raymond Chandler--without the dive into the bottle.  There are so many more interesting aspects to the writer's life.

Like writing.

 

Letters are like wine; if they are sound they ripen with keeping. A man should lay down letters as he does a cellar of wine.
~Samuel Johnson


 

 

Back to Work!

The party's over.

The Christmas tree is toast, the menorah is carefully laid away, and the New Year's confetti is deep in the dustbuster.

There's only one word for this state of affairs: Fiesta depression.

Thinking about putting my nose back on the old grindstone and being more productive than celebratory is a little scary.  What if I can't get organized? What if it all seems overwhelming? What if I've forgotten how to do it?

Here is a poem that I have loved for many years.  It reminds me that as blue and unproductive as I feel when my human self doesn't quite fit into my glorious aspirations, it could be worse.

After all this holiday indulgence, lots of things don't quite fit. But, come tomorrow morning, I resolve to get off my shingle, and get back to the business of making books.

The Old Sailor
by A.A. Milne

There was once an old sailor my grandfather knew
Who had so many things which he wanted to do
That, whenever he thought it was time to begin,
He couldn't because of the state he was in.

He was shipwrecked, and lived on a island for weeks,
And he wanted a hat, and he wanted some breeks;
And he wanted some nets, or a line and some hooks
For the turtles and things which you read of in books.

And, thinking of this, he remembered a thing
Which he wanted (for water) and that was a spring;
And he thought that to talk to he'd look for, and keep
(If he found it) a goat, or some chickens and sheep.

Then, because of the weather, he wanted a hut
With a door (to come in by) which opened and shut
(With a jerk, which was useful if snakes were about),
And a very strong lock to keep savages out.

He began on the fish-hooks, and when he'd begun
He decided he couldn't because of the sun.
So he knew what he ought to begin with, and that
Was to find, or to make, a large sun-stopping hat.

He was making the hat with some leaves from a tree,
When he thought, "I'm as hot as a body can be,
And I've nothing to take for my terrible thirst;
So I'll look for a spring, and I'll look for it first."
Then he thought as he started, "Oh, dear and oh, dear!
I'll be lonely tomorrow with nobody here!"
So he made in his note-book a couple of notes:
"I must first find some chickens" and "No, I mean goats."

He had just seen a goat (which he knew by the shape)
When he thought, "But I must have boat for escape.
But a boat means a sail, which means needles and thread;
So I'd better sit down and make needles instead."

He began on a needle, but thought as he worked,
That, if this was an island where savages lurked,
Sitting safe in his hut he'd have nothing to fear,
Whereas now they might suddenly breathe in his ear!

So he thought of his hut ... and he thought of his boat,
And his hat and his breeks, and his chickens and goat,
And the hooks (for his food) and the spring (for his thirst) ...
But he never could think which he ought to do first.

And so in the end he did nothing at all,
But basked on the shingle wrapped up in a shawl.
And I think it was dreadful the way he behaved -
He did nothing but bask until he was saved!

Let the New Year begin in earnest.

Tomorrow.

 

Take rest; a field that has rested gives a bountiful crop.
~Ovid

Pooh 2 U 2

Gertrude Stein said, "We are always the same age inside." I know exactly what she means.  My mother once told me that no matter how wrinkled she got, when she looked in the mirror, she saw her five-year-old self peering out.  It's like in the movie "All of Me." We are all Edwina, being moved from body to older body, always basically the same person. Back in bowl!

One of the things the five-year old in me has always loved is Winnie the Pooh. I had a beautiful map of the Hundred Aker Wood on my bedroom wall, right next to an illuminated prayer that read, "From Ghoulies and Ghosties, Long-Leggity Beasties/ And Things That Go Bump in the Night/ Good Lord Deliver Us." The illustrations around the prayer looked like Hieronymus Bosch bad dreams so looked  to my friends from the Hundred Aker Wood to make things seem somehow more friendly.

Pooh seems to have made quite an impression on others, as well. Since his creation, he has appeared in many forms.  In eighth grade, while I was studying Latin, he showed up published in that archaic language: Winnie Ille Pooh,. We put on a play about him, with Circulum Circum Togam (Ring Around the Collar) as our sponsor moment and some self-translated rendition of "Jane You Ignorant Slut" as the great crescendo of our cleverness.

As I matured, a little at least, I found him again, this time in the Tao of Pooh.  Here Pooh offered wisdom--or at least pointed out his understanding that had always been there.  I read to my children from my old edition of The House at Pooh Corner. As they got older, we watched "The Blustery Day" and all the cartoons that had been exciting television specials back in the day.

Now, Pooh, ever adaptable, is moving into social media. Today I found a lesson in blogging a la my old friend Edward Bear, and I had to smile. He was right on the mark as usual, with wisdom like “You can’t stay in your corner of the Forest waiting for others to come to you. You have to go to them sometimes.” In the six points offered here, Pooh shows he's quite social media savvy!

We all resist change.  It's hard and scary. But we can't avoid it.  Christopher Robin is a girl now, and I'm not even sure who owns the e-rights to the old classic. But hunny is still hunny, and a good story with great characters has a truth that transcends any medium. Or gender, it seems.

Publishing could go to school on Pooh. Arguments and anxiety swirl about rights, formats, publication and distribution systems. The times they are a-changin'. But our need for transcendent stories, from the time we are little bitty, doesn't change. And as fun as it is to tweet out our whereabouts, our activities, our products and our links to the world, as storytelling people, we are hardwired to spin tales and share them. We need to have faith in this and keep writing--no matter what jar finally holds the hunny.

I can't tell you where Pooh will show up next, just as I can't tell you where publishing is going, if we will have phosphorescent walls instead of light bulbs in 2012 or if there is a future in hardcover books. But I can tell you one thing I've known is true for a long time. Ecce Eduardus Ursus.

Here is Edward Bear.

 

Be the change you want to see in the world.
Mahatma Gandhi

 

How to Hold Your Head Up When Guy Kawasaki Says You Suck

Guy Kawasaki told me I sucked over the holidays.  OK, he didn't say it directly to me, and I am only 50% guilty of what I was accused of, but when internationally acclaimed rogue marketers point out things that you're doing that don't quite hit the mark, you've gotta listen.  More than when E.F. Hutton talks.

As the new decade dawns--the decade in which I will turn 50, send my children to college and see Bright Sky Press turn into a wonder of modern publishing love and joy, God willing--I have to say that I am open for inspiration and improvement. On every level. I'll start with the basics: mental, physical, spiritual, and social remedial.

With nothing but holiday obligations on my mind, I was randomly trolling Twitter, and I saw an entry: 10 Reasons Your Blog Might Suck.  Holy Kaw.  Being old enough to know better than to blog, but young enough to still want to, I of course clicked on the proffered tr.im.

Guy--or more specifically, the blogging tutorial that he shouted out--pretty much had my number.  I was guilty of 5 out of 10 heinous blogging crimes, offenses unknown to the universe at Y2K.

So my New Year's Resolution, as it pertains to Words on Books, is to not suck quite so much.  And to change my ways quickly, because I hate it when my daughters use that word.  They say it's innocuous, but like limbs to a Victorian, it's still pretty racy to me.  So, I'm aiming to fix the problem before I have to label it again and answer to a bunch of opinionated tweens.

But what do you call Blog Goals? Globs? What ever you name them, a rose by any other name would still have thorns. In 2010 look for more frequent posts--every day, except for when my human weakness and general over-committed, over-idealistic and under-realistic life gets in the way; shorter posts--except when my inability to edit myself and lack of knowledge of when to shut up prevents conciseness; and less about me--except I don't get out much so this is my world and welcome to it. 

Hopefully if I can at least strive towards these Globs, next year when I randomly come across Guy's insouciantly tossed off judgment, I can say, "I pity the fool."

Not now.  Not 2009. But a new year, a whole--as said daughters say--frickin' new decade awaits, and I have no where to go but up. Especially with a gang as inspirational, quirky and fun as the Bright Sky Press Extended Family. The Bizpuff, we'll call them.

So HNY, 2 U and yrs. Thanks for your interest in the Press this past year, and hopefully, you Guys will  find it easier to be interested in 2010. I'm making it a core value this year.

Here are some thoughts from Sam T. Chambers and Dr. Bob Rotella, authors of our book Head Case Lacrosse Goalie on making your core values your lifestyle, to help you with your own goals this year:

"Other people can derail you from your quest for success--sometimes they don't mean to get in your way, and sometimes they do.  If you have a non-negotiable set of core values in place, choices are easier to make.

Core values are the ways you have decided to live your life to reach your dream.  Your core values are as unique as your dream and the map you create to reach it.  Core values can be any promise you make yourself [substitute your real grown up values for the youth lacrosse emphasis here] I will practice ground balls twenty minutes every day; I will get eight hours of sleep every night; I will learn from players that I respect by making time to watch them on television, read about them in the newspaper and go to their games whenever possible...the possibilities are endless.  Non-negotiable means you are doing it--no matter what.  You won't let people talk you out of it....

Your core values give you the mental strength to be in charge of the way you live your life, instead of letting your friends, TV or the Internet tell you who to be."

It's settled.  Non-negotiable.  In 2010, I will not suck at blogging. 

And I will watch my mouth.

 

You are never to old to set a new goal or to dream a new dream.
~C.S. Lewis.

 

full disclosure:. Aforementioned Sam T. Chambers the famous youth lacrosse coach is my husband.  I think he's really cute, but that is not why we published his book or why I mention it here.  It just seemed pretty pertinent to setting goals for the New Year. He is not paying me or getting anything for this mention, so no worries.

 

 

 

 

Unleashing the Authentic Power of Christmas

When I was little, I would wait until everyone had gone to bed, sneak into the living room and plug in the Christmas tree lights.  In the dark, I lay underneath the tree and looked up through the branches.  The pockets of piney darkness illuminated by the conical colored lights were doorways that promised entry to the same places my books did--lands beyond reality, havens where life seemed more perfect than reality--Willy Wonka's factory, Pippi's porch, the Country Bunny's house. The North Pole.

Now, between emails and edits, trips to Fedex and the dumpster, I'm scrambling to get the last presents to put under the tree. I'm trying hard to savor the season, to find time to lie under the proverbial tree. But it doesn't seem to be happening.  Not if I'm going to get my work done and provide the kind of Christmas I remember.

Wrapping up the old year and trying to celebrate the present, I find myself pinning hopes on 2010 and the new decade's much needed personal and professional resolutions. 2009 has been "interesting times" for book publishing. A year ago, we were all generally worried about the economy and whistling in the dark that the Kindle wouldn't really affect the loyalties of true book buyers.  Now we find ourselves in a world that has been shaken to the core. What is a book, how do we make it, and how do we sell it? Basically, who are we? What relevance do we have in a digital world? These are hard questions, and they'll take more than just a new marketing plan to solve; they demand a whole new paradigm, if not some out-and-out magic.

Rounding a corner of this magnitude demands taking stock: of my job, my calling, my company, my industry. Even in this digital era, I find myself turning to books for answers. And journaling, even more old-school, seems a good place to get a grip.

We have just published a book called Journaling Through: Unleashing the Power of the Authentic Self. The author, Angela Caughlin, leads readers through the brain science behind journaling with intention and shows how it can unleash seven powerful benefits--health, awareness, connection, focus, creativity, authenticity, and vision.  Like the pockets of light just behind our favorite ornaments on the Christmas tree, our memories--and especially the stories we don't quite remember--hold the power to change our lives in wonderful ways.

I'm too big to lie under the tree these days. But stopping to contemplate the magic hidden in its branches, I realize that whatever challenges and opportunities this new decade brings, the strength that I will need to handle them is already some where in me, just as generations of love and tradition are tucked in those fragrant branches.

If Santa Claus brings gifts to tired old editor moms on Christmas, perhaps he will tuck a new fountain pen in my stocking. And if he does, I will use it to start unleashing the power of the stories within me.  I'm enough of a believer--in journaling and in Angela's knowledge, among other things--to trust that it will help me find the vision, focus, creativity and other qualities the new decade demands. At home and at work.

As August tells Lily in The Secret Life of Bees, "There is nothing perfect.  There is only life." The stories we tell, the ornaments we choose for our trees, however funky or chipped, celebrate our lives. In this holiday season, and in the New Year, let's take time to reflect on the stories that we've collected over the years, share them, and gather the strength that is hidden within them.

There's still powerful magic just beyond the lights.

 

Yes, Virginia, there is a Santa Claus. He exists as certainly as love and generosity and devotion exist, and you know that they abound and give to your life its highest beauty and joy.
~Charles Dana

 

The Thomas Nast illustration above is available from The Philadelphia Print Shop.

 

More the Merrier in the Authenti-City

My mother made a mean shrimp creole. Whenever she fixed it, even though shrimp were pretty dear, she made about twice as much as our family could eat. She swore that there were a few neighbors on our block who had an antenna for shrimp creole, and if she cooked it, they would come.

She was right.  It was eerie.  And when these men showed up, on the pretense of dropping in to have a drink, she'd fix them a plate, they'd pull up a chair, and we'd all tuck in. It was a cardinal sin at our house not to have enough food when guests were present.  And the guests' responsibility was to be good company.  Most of our guest more than lived up to their part of the bargain.

Coming from this perspective, it's been interesting to read about the furor the Party Crashers have created. Mind you, I'm not saying that crashing a party is acceptable--far from it--but it is the second level commentary, the Opinions that have popped up after everyone realized that the First Socializers were safe and had nothing but their protocol violated, that interests me most.

The New York Times published an article explaining in earnestness that the most serious thing that was broached was the Social Code of our nation's capitol. I read it with great curiosity--as a book editor, how people work fascinates me, and anything that promises insight on this Enigma of Enigmas makes good mental cud.

Here's the deal: in Washington, New York and LA--those bastions of culture, if not hospitality--the social currencies are, as you would expect, power, money and beauty. People make their social decisions based on who has the most currency of the realm: in the latter two, they flock to have photo ops with others who will increase their currency, but in D.C., however, real power lies behind the throne, so photo ops--Power Wall decor--have to be carefully curated.

Fascinating. It got me wondering about my own town.  What's the driving force behind socializing in Houston? In Texas in general? Texas has its share of power, money and beauty, but somehow it all seems to mix up in a big chili pot of hospitality. Sure there are cronies, selective groups who gather, interest driven affairs, but if you follow Paper City or the star section in the Chronicle very long, one thing starts to jump out: These folks are all mingling.

The art people, the smart people, the philanthropic, the young and the old, conservative people and liberal people are all out their rubbing elbows. From hIgh brow to hoi polloi, you'll find all sorts at the Diverse Works gala, the Orange Show's Art Car Parade and in venues from the streets of Houston to the country clubs supporting the Pink Ribbons Project, or raising big funds for the American Cancer Society in their jeans. And they truly have hearts as big as the Ritz.

So what's the social currency here? Is it a can-do currency? Is it a wildcatter thing? Or is it broad horizons that make drawing-room games seem somewhat effete and lifeless, if amusing on the surface? Big-time socializing here may draw in power, but, like the Grinch realized about Christmas, it seems to be about something more.

What if Mr.and Mrs.Salahi had come to Houston? Would Leon Hale be in a frenzy? Would the Chronicle's newest style watchers analyze them? Or would we just shake their hands, introduce ourselves and offer them a plate of shrimp or roast beast?

What brings you here? What's your story? How can you help? This town has some money, but it's not just a money city; it has some power, but it's not about suits or spooks. And, no doubt it has it's share of beautiful people, but it's not particularly superficial. Houston has it's own unique currency, an H-town flavor, and an energetic spirit that makes it hard to categorize. With an authenticity that's hard to match, it's a great place to hang your hat. Whether you live here, or you're just paying a social call, all are welcome.

It's hard to crash an open house.

 

Personality is an unbroken series of successful gestures.
~F. Scott Fitzgerald

The Twelve Days of Thanksgiving: Day Twelve

For twelve days now, I've been focusing on what--and particularly whom--I'm thankful for at Bright Sky Press. What I've discovered is what I knew all along: I am blessed to have work that introduces me to some of the most soulful, interesting, hardworking and creative people on this planet. Interesting that they all seem to have some connection to Texas. Perhaps that is coincidence. Perhaps not.

But whether it is, or not, it makes me happy.  Happy to  be here, happy to know them, happy to have had the opportunity to tell you about them. Don't fret: just because I'm turning my attention away from formal thanks giving and towards the season of lights, there is too much good stuff around here to keep under a bushel.

Sometimes I think I could spend all my time talking about it and have no time left to do it. That's an occupational hazard of verbal people. Trust me.

On the 12th Day of Thanksgiving, I am thankful for Joy. And I am joyful because of Cherie. And cheered by Mary. As I've said before, it's beginning to sound a lot like Christmas. When these ladies are around, it feel likes Christmas, too. Even when we're out in West Texas and it's frying eggs on the dirt hot.

As in any good Christmastime story, first was Mary.  Mary Dodson Wade has written more than fifty children's books in her career, and many of them are about Texas heroes.  When I came to Bright Sky, she was in the process of bringing her heroes over to our imprint.  Now we have a whole series of heroes and,thank goodness, heroines, too. Mary knows a tremendous amount about many interesting topics, particularly children's books and Texas history, and every day, even when I am not able to return her calls as quickly as I would like,  I am thankful for her patience, energy, knowledge and sense of humor.

The first book of Mary's I worked on was Sam Houston: Standing Firm. And then I found Joy.  Joy Fisher Hein is the illustrator of Kathi Appelt's wonderful Miss Lady Bird's Wildflowers. Like Mary, Joy knows a tremendous amount about Texas history.  In addition to being a master illustrator, Joy is a Master Naturalist, and the attention that she pays to the plants, flowers and creatures of the great state come through in minute detail in every piece of work she does.

Because I was so captivated by Joy's understanding of the natural world, it seemed more fate than serendipity when Bright Sky had the good fortune to become the publishers for Our Shadow Garden, the new picture book illustrated by the pediatric cancer patients in M. D. Anderson's Children's Art Project. The author, Cherie Colburn, wrote gave the story as a gift to the children at the Children's Art Project. She's a Master Gardner, talented landscaper, and font of information, too. As soon as I got to know her, a book written by her and illustrated by Joy seemed only natural. So we're doing that next!

Three is a powerful number, and these three wise ladies have prodigious talents.  I could share many wonderful stories about each of them--including the time when their lore about vultures and prickly pear saved me and Ellen in the desert--but suffice it to say that I am more than grateful to have each of them in my life. 

They've taught me more about the heroes, the plants and the flowers of Texas than I could ever recount. And, working with them, I've witnessed--first hand--how dedication, love and knowledge manifest themselves in creative expression. For that, I'm more than just thankful--I'm joyful, cheerful and merry!

"Tis the season!

Thanksgiving Tip #12 Be thankful without ceasing.

 

Women are the real architects of society.
~Harriet Beecher Stowe

(image copyright Joy Fisher Hein www.joyfisherhein.com)

 

The Twelve Days of Thanksgiving: Day Eleven

When I was little, Sunday night meant watching the Wonderful World of Disney and eating Jack in the Box. Good stuff, both.  The combination of Tinkerbell, Davy Crockett reruns and secret sauce was magical.

Life was pretty predictable back then. Dinner meant in the dining room, unless it was a birthday, and then it meant steak and potatoes at the Stables, with a glimpse of the poor lobsters in the tank on the way in.  Appetizers meant port wine cheese; drinks with dinner meant Shirley Temples, Roy Rogers and scotch. Wine was something that sat, ignored and mistrusted, in a pottery Lancer's bottle in the middle of the table. 

That was H'town. Of course, when my parents weren't watching Disney with me and my brother and sister, it was also major Menehune's at Trader Vic's at the Shamrock, rare roast beef at the Red Lion, high fashion at Mr. James, and glamorous dancing in Pucci dresses at clubs at Allen's Landing and bachelor pads on Courtlandt place. But they didn't invite the elementary set.

That would have been really bad parenting. And my parents had boundaries.  Good ones. And weird ones.  One of my mother's boundaries was that she would never take us to places like Disneyworld or the Alamo. For different reasons, all stemming from the fact that she was a Virginian. 

What that meant for me was that I never saw the Alamo until I was a grown up. Never heard a lot of Crockett/Bowie/Travis stories. Didn't have a middle name that you could find on a downtown street sign. Didn't even have a ranch.  But I could tell you lots about Williamsburg, Thomas Jefferson and the Swamp Fox of the Carolinas.

We grow. We change.  We keep parts of our heritage, and we reject others. I'm thankful to know so much colonial history, thankful to know how good a ginger cookie is from the Raleigh Tavern. But I am particularly proud--the zeal of the convert, I suppose--that I remember the Alamo. And I've been to Disneyworld three times.

Don't think they are related? I never realized how closely they were, until we published some books by Alamo experts, Bill Chemerka, Allen Wiener, and Jim Boylston--real Crocketteers. While I was focusing on secret sauce and the Escape from Witch Mountain, these guys were channeling Fess, absorbing every detail about the King of the Wild Frontier.

But they didn't stop there.  They went on and learned all about the man under the coonskin cap. They read history, joined societies, and became known for their eruditon on the man we now know around our office not as Davy, but as David Crockett: the Poor Man's Friend.  The astute politician who befriended the common man against powerful interest groups way before powerful interest groups had a name. The passionate politician who innately knew more about branding than we'll ever hope to know.

Among the three of them, they know about the Music of the Alamo, all the political writings of David Crockett, and all of the profound historical things he ever did. But what delights me the most is that as serious as their study has gotten, they have never forgotten what originally turned them on to the legend that is Crockett.

Fess Parker and his show are part of what they love.  It's a whole package, and now that they are experts in the real history--now that they give lectures at the Texas Book Festival, get reviews from Pulitzer prize winning historians, and are called "The Google of Alamo Buffs"--they still acknowledge the show. And they acknowledge that Fess, too, has grown and changed since those Disney Days.  If you ask about Fess, they'll tell you he's winning awards for his pinot in the hills around Santa Barbara. He's still a king. And his wine is a far cry from Lancer's.

We grow. We change. But when we are lucky, we hold our heritage close to our hearts. I remember Jamestown. I remember Virginia Dare. In a history book sort of way.  But because of my own Disney days, because I am a Texan, and now because of these three historians, I remember the Alamo like I was there.

I am thankful these guys watched TV. That it didn't rot theirr brains, but that it moved them enough to study, document, and bring Crockett to life for those of us who were too distracted by Thomas Jefferson to fully appreciate what was going on in Tennessee and Texas.

When Crockett left Tennessee, he crossed a line.  He crossed another in the Alamo. Once you cross it with him, you're a Texan. No matter where you live.

It's a state of mind.

Thanksgiving Tip #11 The hat makes the man.

It is a line that not all the piety nor wit of research will ever blot out. It is a grand canyon cut into the bedrock of human emotions and historical impulses.
~J. Frank Dobie

 

 

The Twelve Days of Thanksgiving: Day Ten

At one point on my winding path, I taught Middle School English.  I've always felt that there were many similarities to being an English teacher and being an editor--both jobs are essentially about helping people find their strongest voice as a writer.  You just get the writers at different points in their own journeys.  Although one group is just discovering ways to express themselves in words and the other has decided to make a career or at least an avocation out of it, both groups demand the same understanding, both need to be listened to with equal sensitivity in order to trust that an editor/teacher person really gets what they are saying and will be able to bring their writing consistently up to its highest level.

After that major philosophical similarity, though, the two jobs diverge. And each has its own perks. For one thing, authors tend to smell better than sixth graders.  They don't need to be told not to run in the halls.  And you can have a beer with them.

I love being editorial director at Bright Sky Press, and I love the process of watching a book emerge from a conversation, rough notes, or a preliminary manuscript. There is great joy in watching someone pick up a book I've worked on and respond to it with genuine enthusiasm, or in seeing a familiar jacket peek at me off the bookstore shelf, an old friend waving "Hi!"

But I still miss teaching. One thing that was particularly memorable at the school where I taught was the annual Big Bend trip.  The entire eighth grade, one hundred plus kids, a couple of dozen teachers and some doctors for good measure would pack it down the road for a week of hiking and camping in Texas' remote natural wonderland.

It was an unforgettable experience, and I was lucky enough to go five times.  Each time I would sign up to lead different hikes, so I got a good perspective on the park.  It is a magnificent place--filled with mesas and mountains, fabulous flora and fauna, and a solitude so rich it leaves you completely satisfied with just being there, never lonely or overwhelmed. The first time I entered the park, I was surprised that something so geologically profound could exist in the same state as Houston.

On those trips, occasional moments of perfectly backlit transformative Natural Beauty would capture my attention. I never had a camera right when I needed it, and if I did, the pictures never seemed to do justice to the memory. But now it doesn't matter.

We have just published a book that is every wondrous Big Bend moment I ever had on steroids.  Mike Marvins, a fourth generation professional photographer, has been going to the Big Bend area of Texas for thirty years.  He has criss-crossed the magnificent wilderness on foot, on horseback, and by car.  He has gone alone, with his family, with groups of Boy Scouts. His intimate knowledge and love of the region combined with his ability to use a variety of cameras and photographic techniques allow him to memorialize the fleeting moments of beauty that most of us only hope to catch a glimpse of once or twice, if we are lucky.

Texas' Big Bend: A Photographic Adventure from the Pecos to the Rio Grande is MIke's gift to anyone who has ever been to the region, anyone who has ever dreamed of spending time out of time there, and anyone who just loves great outdoor photography. And he did it all to raise funds for groups that support the National Park and the State Ranch.

I miss teaching sixth graders; I miss my annual trip to Big Bend. But I am thankful that Mike's amazing book both brings back those memories for me and inspires me to unplug my family and head down the road to Marathon. His gift for photography presents an incredible corner of our country in a format that actually does it justice. Like a talented editor, he presents the Big Bend region in a way that lets it speak clearly for itself, transporting us there--physically and metaphorically, vicariously or down memory lane.

My trails have lead me back to a place I love. How fine to see it with new eyes.

Thanksgiving Tip #10 A  beautiful coffee table book featuring a rugged outdoor spot is the perfect tip off to visitors that you are truly a well rounded, perhaps even Renaissance, person. A KIndle on your coffee table might just make it look like you forgot to clean up.

 

Climb the mountains and get their good tidings.
Nature's peace will flow into you as sunshine flows into trees.
The winds will blow their own freshness into you...
while cares will drop off like autumn leaves.

~John Muir

The Twelve Days of Thanksgiving: Day Nine

Day Nine, and I'm feeling fine. Thankful for thankfulness. Refocused on gratitude in the face of the Infinite Unknowable that is the publishing industry these days. But hasn't it always been that way?

I'm reading an interesting book called The Lousy Racket. it's about Hemingway, Scribner's and the business of literature in the first half of the 20th century. Turns out, back in the day, things were just as wacky/ed/o in the book business as they are now. They just didn't have Kindles.

I found out about this book from one of my authors. I called him up to tell him about a pretty exciting book deal we had for him, and he says, "I was just reading a book and thinking about you." I'm not sure he meant that exactly nice, but merely cohabitating on the same brain wave as Max Perkins was gratifying, so of course I had to hear all about the book.

Turns out, I had entered his thoughts not in comparison--positive or negative--to Max, but only because we tend to talk about Hemingway and Fitzgerald when we get tangential. I asked to borrow the book, but I couldn't--it came from the library, and I am not the most trust worthy when it comes to library books. They tend to fraternize with my own teetering stacks and run amok. And then away.

Before I had so many books that visiting volumes became endangered, I used to go to the library on my lunch hour.  I practiced a highly non-scientific selection process, a kind of literary Brownian motion.  I would just start walking down the stacks, sometimes looking at spines, sometimes running my fingers along them. If something caught my eye, I would take it out and do the spine, jacket, flap, 1st page, middle page once-over. If it grabbed me, I checked it out.

I read some awesome, random books that way. Some had been out of print for years, some  were politically incorrect, some had information that even callow I could tell was outdated. At one point,  these books had been new releases, dressed up in stylish jackets to go to market, but by the time I found them deep in the stacks, there was none of that curb appeal left.  All that remained was just a title, spine out, that somehow had enough life force in it to reach out and grab me.

Publishing exerts a powerful force on words, sending them shooting out into the world with an energy that it would be difficult if not impossible for a writer alone to muster. When an author has the ability to put pen to paper, fingers to keyboard, or even words to voice recognition software and weave a spell that is strong enough to get a team of people to want to create a book, a synergy is created that is hard to extinguish. Even when it is concealed in a drab library binding, plastered with testaments to Mr. Dewey's thought process and hidden among generation after generation of its brethren.

Look at books by different authors published by the same house: they are like cousins, distant cousins, perhaps, but if you look carefully enough, you can see similarities. Fitzgerald, Hemingway, Thomas Wolfe, and so many other great American talents came through Scribner's, with Max as their editor. And as my latest book reveals, even with that pantheon, publishing was subjective and somewhat contentious.  It's hard to have so many talented people with different viewpoints, skill sets and needs pinning their hopes on the same project.

So, while it's a challenging, crazy game, it's important to remember that like another legendary racket sport, it begins at Love, All. And if you take the time to look carefully at any published book, you can see the hand prints of everyone who once believed in it enough to work to propel it out into the world--editors, designers, illustrators, and so many others.That's the energy that transcends binding and calls out to us from the shelves.

Publishing may still be a lousy racket, but I'm thankful for it.

Thanksgiving Tip #9 Birds of a feather flock together. So if you're a turkey, you're safer hanging out with peacocks this time of year. They won't think to look for you there.

 

Publishing is a very mysterious business. It is hard to predict what kind of sale or reception a book will have, and advertising seems to do very little good.
~Thomas Wolfe
 

The Twelve Days of Thanksgiving: Day Eight

Eight days ago, longer than some people think it took God to make the whole entire world, I decided to give Thanksgiving its due and not get all Christmassy until I was done with 12 days of giving thanks for cool stuff at Bright Sky Press.

Easier said than done.  My head is turned so fast by a pretty strand of lights.  I spent today making advent wreaths, decorating gingerbread houses and getting bushels of Christmas story books out of my attic.

The big red bows on the buildings in Highland Village look so darling, the red and white peppermint mocha ads all over Starbucks seem appropriate and I got teary rather than irritated when I heard The Little Drummer Boy on Sunny 99.1

But, just because I look at another holiday, it does not mean that I have given up on giving thanks.  In fact, quite the contrary.  This warm seasonal glow makes me more appreciative than ever of the wonderful gifts my work bestows on me.  I've told you about many of our authors, and I plan to fill you in on quite a few more Good Things around here before I close the books on this Thanksgiving, but today, when I think about sticking to being thankful--or anything--I realize that what I am most thankful for on the job is my friend Ellen.

Ellen Cregan means alot of things to alot of people.  She's a great wife and mother, a dedicated and talented designer, and she's won more awards than I can count on two hands. She's one of my partners at Bright Sky, and mainly, she's my friend.  She has been since eighth grade. And I wasn't always so easy to be friends with back then, so I appreciate her stick-to-itiveness both personally and professionally.

Ellen works hard, she is not easily distracted, she is loyal, kind and true. And she is funny.  Funny is very important in my book, and there has been many a long hour spent working on books, being lost in the desert, or hanging out at monasteries when Ellen has made me laugh. Hard. At things that just might not seem funny to anybody else.

Publishing is not an easy business these days: if it's not Kindle, it's the death of reading.  If it's not the death of reading, it's the futility of old school publicity.  If it's not this, it's that or the other, and it is imperative that not only do we cover all the bases the way they've always been covered, but that we also shout it out in 140 clever characters. it's not enough to catch up on the Times book page in the subway, we have to devour an entire feed reader in order to be current. We're light years from the era when the Times sufficed, anyway, even if we had a subway here.

At times, this sturm and change can seem overwhelming. But, as in everything, it helps to have a friend. Especially a hardworking, talented friend who can make you laugh. We are on an excellent adventure together, down this rabbit hole, and I am not just thankful, I am eternally grateful to have Ellen by my side. Not just at Thanksgiving--or whatever holiday season the merchants are currently calling it--but winter, spring, summer and fall.

All I've got to do is buzz.

Thanksgiving Tip #8 Books make great gifts. For any holiday, really.

 

Give me one friend, just one, who meets the needs of all my varying moods.
~ Esther M. Clark

The Twelve Days of Thanksgiving: Day Seven

Christmas is coming; the geese are getting fat. Please to put a penny in an old man's hat. If you haven't got a penny, a ha'penny will do. If you haven't got a ha'penny, well, it's the economy. As a country, we've done much without foresight, and things don't look pretty.

But I am still thankful.  I actually always try to be thankful, but I have been particularly focused on it these past six days, and I plan to remain officially focused on it for at least five more. Today, in light of the news from Dubai, I am thankful for Texas history.

We have just released a book called The Paper Republic. It tells the complete story of Texas money from exploration through annexation. It is filled with interesting anecdotes about the people behind the money: visionary kings, obsessive dictators, crooked politicians, counterfeiters, printers, Texas Presidents, treasury officials and forgotten heroes. It shows with precision just what happens when debt spirals out of control. 

That's not pretty, either. But it is a clarion call to this country that Texas finds herself annexed to these days to pay careful attention to the money. Debt, down-side, dark side...dum,dum, da dum...things get all Enron-y faster than some MBA tricksters would like to admit.

Texas is no longer its own country, though some feel it still should be. Personally, I like being part of the United States. And I would certainly hate to be annexed by China--or any other country--because people are wielding too-good-to-be-true financial instruments with reckless abandon and no historical perspective.

Jim Bevill, the author of this big, beautiful, amazingly researched book has spent many years tracking down information, coins and currency, and weaving them into a story that is not only fascinating numismatic and financial history, it is a timely warning about what can happen when the money goes awry. And I think anybody who's in charge of more than a ha'penny or two of somebody else's savings, retirement, college fund or country should read it.

Texas, The US, Dubai. What's next? Jim has taken the time to follow the trail of the money in Texas, and hopefully someone important in the Treasury Department or an influential seat of government will learn from his observations.

So there it is. While I'm concerned about what the news will bring on Monday when the markets open, I'm also hopeful that there are wise leaders out there who will work together to find ways to blend new technologies and financial instruments with a sound understanding of both human nature and history. And I'm thankful that Texas' history might inform the conversation.

Sometimes knowing what not to do is more important than knowing what to do.

Thanksgiving Tip #7: For a truly relaxing holiday, the news is best left folded on the kitchen table.

 

One of the lessons of history is that nothing is often a good thing to do and always a clever thing to say.
~Will Durant

 

The Twelve Days of Thanksgiving: Day Six

So it's officially over. Everyone is out shopping, grabbing bargains and parking places with the same reckless abandon. The little hardened gravy bits are finally off the stove, and even the chairs have moved back to their proper places.

All I have to say is: Fiesta Depression.  Christmas Eve is always funner than Christmas, Friday night more exciting than Saturday, June than July, and now it seems, even the buildup to feasting is better than wrapping another Turkey Day.

My instinct is to move on with the crowds and get out the holly and the tinsel.  But that irritates me.  I'm halfway home, have a dozen days of Thanksgiving down, and only another half-dozen to go. So I'll refocus here. What am I thankful for at Bright Sky Press today?

Bird Poop.

Really.

We have the most incredible author named Bebe McCasland.  She is a state and federally licensed wild bird rescuer in Big Spring, Texas.  People from all over the state bring Bebe and her husband Art birds that they find who are hurt or in need of help.  And Bebe, who has been helping birds for thirty-five years, is so good at helping them, that this year she was honored with the DAR's national conservation award. And that is huge.

Bebe is an amazing writer, an avian James Herriot with a little of Dr. Doolittle's ability to talk to the animals, I believe.  She has collected 84 stories that appeared in her column, "Bird Poop," and put them in a book with illustrations that I would swear were done by John James Audubon, if I didn't know they were really done by the very talented and generous Don Collins.

Bebe's work is inspirational.  It's the real scoop on how to care for our fellow creatures.  And when I was forlornly staring out my kitchen window a minute ago, missing the camaraderie and good cheer of yesterday, I saw two funny little birds sparring on the telephone lines, and I thought of Bebe. Like I always do now when I see a bird. And I thought about how she is giving all of her profits from her books to bird rescue efforts. "Birds helping birds," as she says. And then I was thankful.

She's a good egg.

Thanksgiving Tip #6 Get outside (yourself).

 

All my life I've felt that there was something magical about people who could get into other people's minds and skin, who could take people like me out of ourselves and then take us back into ourselves. And you know what? I still do.
~Anne Lamott (from Bird by Bird)

The Twelve Days of Thanksgiving: Day Five

Twelve days of giving thanks: not near enough to capture all the cool, make me pause, make me tear up, make me smile moments that happen around Bright Sky Press. But maybe enough to hold the Christmas season at bay for just a few moments, maybe enough to make Silent Night give me a joyful shiver again next time I hear it, instead of grating on my ears like a tiresome, repetitive Barney song.

These being thankful days days started rather randomly, so today, Thanksgiving Day itself, is the fifth day. On the fifth day of Thanksgiving, I find myself consumed with food. Pale food, soft food, salty food. Root vegetables, gravy and bacon. French cut string beans, just like Gloria used to practice with, and more bacon. And more butter and not only cranberry sauce, but jam.  Bread and jam. And I'm not complaining.

Three kinds of pies later, though, as I watch Colt so nimbly make his way across the field on the big screen, I realize that there is a reason Thanksgiving only comes once a year. This is a memorable feed, and it centers on the concept of excess and bounty. Cornucopia. My cup runneth over, and so does my plate, and melted marshmallows are all over the dining room floor.

So today, in the midst of all this lovely triptophan and the attendant serotonin, I am thankful for John DeMers and his book Follow the Smoke,  Because while turkey rocks today, it will not rock tomorrow, and then there will be barbecue. And when I wonder where I will go to find that smoky, rough, tangy, distinctly non-turkey taste, that meal that I do not have to cook, I know I can pull out my little Follow the Smoke, and not only will John tell me where to go to get the exact kind of barbecue I am looking for, he will philosophize about why they make it that way there. And barbecue goes better with philosophizing.

It's the real thing.

Thanksgiving Tip #5 Accomodating your brother's social schedule and having the feast at 3:00 in the afternoon not only makes for family harmony, but also for better digestion. Which means that the fried pickles I eat tomorrow at Beaver's will taste even better.

 

Grilling, broiling, barbecuing - whatever you want to call it - is an art, not just a matter of building a pyre and throwing on a piece of meat as a sacrifice to the gods of the stomach.
~James Beard

The Twelve Days of Thanksgiving: Day Four

On the Fourth Day of Thanksgiving my true love drank the whipping cream for the pie in his coffee and left to play golf.

But I am still thankful. And actually particularly thankful that he got out of the way, in light of today's activities, centering on foraging for traditional foods, moving furniture and arranging flowers.  And  because I am focusing on this, I am also particularly thankful for our authors who promote gracious living.

Gracious Living is a little like prairie dogs.  Some people mock it, others try to destroy it, but a few realize that the underpinnings of the world as we know it depend on it. And it is profoundly beautiful when you study it.  Way more than just furry or cute. Just as there is little that is more reassuring than a drenching, nurturing rain soaking deep into the grasslands thanks to the prairie dogs' work, there is little that feeds our soul more than a full course meal, made with love, eaten slowly in good company with good spirits and thankfulness.  Hence the popularity of the holiday that is now upon us.

But most of us are too busy twittering around, rushing to meetings and trying to snake parking places from unsuspecting middle aged women in the Whole Foods parking lot to take the time to really study gracious living.  So we have to ask the butcher about how long to cook the turkey.  After he tells  us how many pounds feeds how many people.

This is why I'm taking a moment today from my frenetic schedule of alternately working at home and working on my home to pause and be thankful for the authors of two little cookbooks, a church flower arranging book and a big pretty design book. Their books celebrate and share domestic arts that are in danger of being forgotten, and they have deep-rooted values at their core.

The cookbooks are Perennial Favorites and Seasonal Favorites, two wonderful collections of recipes from The Garden Club of Houston, the tireless gardeners who are responsible for making so much of H'town pleasing to the eye. Perennial Favorites is a collection of "Portable Food" that the ladies bring to share at their events, particularly the annual Bulb and Plant Mart; and Seasonal Favorites is filled to overflowing with party food, entertaining ideas, and ways to bring aspects of the garden into decorating. It is aptly named "Festive Food," and it just reading through it makes me feel that life is a delightful affair. Both books are treasure troves of hospitality and good cheer, collected by the multi-talented Margaret Wolfe, Gay Estes and Karen Terrell.

Gay is so multi-talented that she not only illustrated both of those, she also wrote and illustrated a little handbook called  The Church Ladies' Guide to Divine Flower Arranging  that is absolutely the best explanation of how to arrange a flower in any setting--holy or heathen--that I have ever read. In fact, as soon as I post this, I'm off to arrange the flowers that I gave a nice shot of vodka to this morning, just like Gay has taught me, and I'll keep her very practical tips in mind--beginning with "No Mickey Mouse ears."

The last book that is on my mind today is Interior Wisdom.  It's a beautiful interior design book by Leah Richardson, a lovely lady who is an award-winning designer whose work has appeared on the covers of major national shelter magazines, and is also a minister.  Leah's book is subtitled "Designing Your Home and Heart for the Lord," and in it, she shows how to create a home that is not only pleasing to the eye, but becomes a sanctuary from the outside world. Homes have a definite spirit, and it is so fine when they reflect the hearts that dwell in them. Leah's ideas on clearing the clutter and focusing on what's really important to us have been particularly helpful to my house.

Home and hearth. In a crazy world, there is little that is more comforting, and I am grateful to these authors who have shared their ideas for reviving domesticity, raising it into the art it deserves to be and recognizing that it can serve as a soothing salve to the soul of our crabby, fast food nation.

We are hardwired to make homes for ourselves, and hardwired for ritual. LIke the prairie dogs, our homes and our habits are integral to the strength with which we are able carry on.

So today, like my mother and my grandmothers always have, I will polish the trays and arrange the flowers.  And like the prairie dogs, I will go outside and raise my palms in gratitude for the setting sun. And if I take a minute from the preparations to tweet out my joy, that's ok, too.

I like my traditions with a little twist of lemon.

Thanksgiving Tip #4 If you find yourself frustrated that your world is not filled with domestic harmony even when the flowers and food are perfect, find yourself a copy of Terry Tempest Williams' Mosaic: Finding Beauty in a Broken World. It's language and message are inspiring, and it explains my newfound interest in Prayer Dogs.

 

If you reject the food, ignore the customs, fear the religion and avoid the people,
you might better stay home.

- James Michener

 

 

 

The Twelve Days of Thanksgiving: Day Three

It's beginning to look a lot like Thanksgiving, everywhere I go.

Not really. It looks just like Christmas, and we haven't even had turkey yet. So, in solidarity with Nordstroms and Alexander (my old student) I continue to remain focused on thankfulness, gratitude, stuffing and the random crudites that make any feast more traditional.

On the first day of Thanksgiving, I was thankful for Bright Sky's founder.
On the second day of Thanksgiving, I was thankful for the can-do creative soul of H'town.

On the third day of Thanksgiving, I am thankful for the grounded lady authors whose wisdom helps me and readers everywhere to navigate holiday times, family times, challenging times and changing times. That pretty much adds up to most of the times.

These strong women have strong messages: For grief, change or finding  the power of your authentic self through journaling, there's Angela Caughlin. For doing the classic Erma Bombeck laughing-to-keep-from-crying about parenting mistakes you think you've made, there's Louise Parsley. For creating wellness in your family from the inside out and then giving yourself a moment to enjoy it--without feeling guilty--there's Beth Irvine. For helping friends get through the challenge of cancer while still celebrating friendship and life, there's Denise Hazen. And for showing you that you can deal with absolutely anything your family deals out to you--including trying to blow you up--with strength and grace, there's Carla Powers.

I am more than thankful to have these wise women on my team. Professionally, I am so proud to be helping their work get out to larger audiences. Personally, I am grateful everyday for their insight. I've learned lots of stuff from manuscripts over the years--from palm reading to cane toads--but the opportunity to work on books with such important messages has truly been a gift.

And what is most wonderful is that it is a gift that was created to share.

I am thankful for the shared wisdom of women.

Thanksgiving Tip #3 If you are feeling overstuffed and bilious due to being overserved unsolicited pie or advice, find a quiet moment to watch a good old movie that will remind you that while your family may not be perfect, they might just be perfect for you.

 

I love people. I love my family, my children . . . but inside myself is a place where I live all alone and that's where you renew your springs that never dry up.
~Pearl S. Buck
 

The Twelve Days of Thanksgiving: Day Two

Once I decided to really spread out the Thanksgiving love, I realized that there are and endless supply of things that make my cranberry sauce jiggle. A dozen days can hardly do justice to all the delightful people, books and experiences around Bright Sky.

On the First Day of Thanksgiving, I was thankful for our founder, Rue Judd, and all the work she did getting this little publishing company going out in West Texas.

On the Second Day of Thanksgiving, I am thankful for H'town, the current home of Bright Sky Press.

Houston, Texas is neither East, nor West, South nor North. It is not traditionally beautiful, but it has oak alleys that will knock your socks off, mysterious winding bayous, and massive mounds of festive azaleas that could make the most exotic flamenco dancer feel like a wallflower. It has architecture: from the most modern skyscrapers to the funkiest wooden music hall to the indescribably delightful Orange Show. Most of all, it has an open, creative, can-do soul: hard core inner-beauty.

Houston is worth it. In more ways than I can ever rhapsodize about here. Today, I am thankful that this funky, energetic city is home to all kinds of off-beat, new, outside-the-box, inspirational, connective and wired talent.

For example: I am thankful for our writer friend Katherine Center, author of Bright Side of Disaster and Everyone Is Beautiful as well as godmother to our kirtsy book.  I am thankful for her introduction to Laura Mayes, author of said kirtsy book. I am thankful for the generous open hearts and creative connectivity of these two ladies which led to: Karen Walrond--a.k. better k. as Chookooloonks--who's currently penning and shooting The Beauty of Different for us; Monica Danna--a.k.b.k. as Cosmopolitician--who leads our social media socials, works with so many of our authors, and generally inspires us to keep trying to save the world; and Jim Prather--a.k.b.k. as YouData, an absolutely innovative and exciting approach to advertising--who shares his projector so generously when we find ourselves in need and generally offers us inspiring insight on publishing.

And these truly wonderful people are just the tip of the iceberg here in H'town. Everywhere I turn, someone new and wonderful pops up. Someone willing to look at things with completely new eyes, someone with a creative vision that just makes me thankful that I am Here, and not There. Someone like Matthew Wettergreen, Brian Gaubert or Katie Laird.

I am thankful that we are in this town, right here, right now, surrounded by people whose creativity is as big as their hearts--a rare and precious combination, and what I think people really mean when they say that Houston is the Energy Capital of America. I love this kind of energy.

Thanksgiving Tip #2: Take time out over the holidays to fill your own creative cup by seeing a movie like Fantastic Mr. Fox by another talented H'town alum, Wes Anderson. Old school animation + new school ways of seeing definitely = food for thought t hat is way less fattening and more satisfying than any pi.

At times our own light goes out and is rekindled by a spark from another person.
Each of us has cause to think with deep gratitude of those who have lighted the flame within us.

~Albert Schweitzer

The Twelve Days of Thanksgiving: Day One

Before I was editorial director at Bright Sky Press, I was a teacher. Before I was a teacher, I was an editor. Somewhere in the middle of those transitions, I became a mother.  These days, I   am simultaneously teacher, editor, mom, wife and not a day passes that I don't get some sort of epiphanic blessing, insight or chuckle from someone I have been lucky enough to walk with for a while on my winding journey.

I'm friends with some of my old students on Facebook.  One particularly wry and outspoken young man is always posting things that first make me laugh or cry and then make me want to comment. Recently, he's been ranting about the Christmas decorations that suddenly became ubiquitous around Halloween. His feelings struck a deep chord of empathy with me (and about a dozen others, it appears). He posted this: Nordstroms celebrates one holiday at a time: no Christmas decorations until after Thanksgiving.

In solidarity with Nordstroms and Alexander, I've decided to fully celebrate Thanksgiving this year. For the next twelve days, I am going to let you know some of the stuff that I am really thankful for around here.  I could probably go on for 365 days and then start over, being as wordy and emotional as I tend to be, but I promise to show Great Restraint.  I know I have it in me somewhere.

On the First Day of Thanksgiving, I am thankful for where this all began:

1. Rue Judd founded Bright Sky Press in Albany, Texas in 2000 and began publishing wonderful Texas books like Historic Texas Courthouses and Barbecue, Biscuits and Beans.

The journey begins. Stay tuned for eleven more days of thankfulness. Or more, if I just can't contain myself.

Thanksgiving Tip #1: Put out a basket of great children's books at your feast. Eve Bunting has great empathy for our feathered friend in A Turkey for Thanksgiving. Perspective is everything.

 

When I started counting my blessings, my whole life turned around.
~Willie Nelson

 

 

 

The Kirtsy Book: A Beautiful Bottle for New Wine

I have lots of memories of college: some are from my classes.  My school prided itself on its ranking as the number one non-professional party school in the nation (Rollins College was considered the number one PPS at the time). But as the thrill of doing 12 oz. curls with 3.2 beer soon wore off, I realized that I was smack in the middle of an academic wonderland, and I started to pay close attention to the stuff they were teaching. At least in English class.

One of the big themes for undergraduates was transitions in literary forms that reflected transitions in social thought. Or, as the catch phrase went, you can't put new wine in old bottles. Well, you can, but since biblical times, they've warned that you'll pop the cork if you do.

So, since we are, as the Socialnomics video attests, in an age of change more massive than the Industrial Revolution, it seems only fitting that the publishing industry is looking hard for new bottles.  Bottles that reflect change, hold change, and become provocative prisms for understanding change.

Easier said than done. Although our era forces us to digest change at a rate that would give even George Jetson heartburn, there aren't a lot of instructions. No road maps for this brave new territory. There's no AAA when we bog down on the road to the Future of Publishing, and in fact, if we do manage to make it over the pass without becoming the literary Donner party, there are no homesteads or other hostelries on the other side. But there are a few saloons offering camraderie and a cold one for weary travelers in this strange frontierland where the restless tribes of art, commerce and technology don't ever seem to find lasting peace.

Some of these pioneers lean to the digital, like Cursor and their wonderfully interactive vision of what a book can be.  Others, like CellStories, stake their claim on the web world's need for speed and i-cessibility. And there are many other novel approaches to publishing out there. Certainly, there has never been such an exciting, chaotic time in the lifetime of the printed word.

Bright Sky Press has a history of making books for Texans.  As we have often noted, Texans may pride themselves on their barbecue and their shiny silver spurs, but, when it boils down to it, they are a delightfully diverse crowd. Though many have tried to stripe them as Red or Blue, Texans cannot be easily pigeonholed.  But they are known for being friendly, downright social. In every medium.

So when we had the good fortune to make friends with Laura Mayes, one of the founders of kirtsy.com, we realized that she had a story to tell that was of interest to Texans. Texans who really live in Texas, and metaphorical Texans--big hearted people who live anywhere in the world where there's wifi. And that's just about anywhere. Laura, and kirtsy, needed a book to document, to archive, and to celebrate the new tribe they were creating online. And we thought we were just the ones to publish it.

When we started looking for a bottle to hold this heady new wine, we couldn't find one that seemed to fit. What was this book called Kirtsy Takes a Bow? What was a book of blogs, tweets and beautiful design bits--material that had appeared on line before--supposed to look like? What commentary did it need? What would raise it from rehash and make it a vehicle worthy of bearing the amazing ambassadresses of kirtsy in the mainstream publishing parade? It was a daunting thought. Did it need to be an electric car? A Prius? Or some completely new contraption?

As Laura worked hard tracking down material that she thought was representative of the dawn of the kirtsy movement--the Founding Mothers' Best of the Best--we began working with her to solve that puzzle. We were torn between two mediums, feeling like a fool. Then, after lots of conversation, laughing and crying over the material that began pouring in, and philosophizing at the Mom 2.0 Summit, it all started to come together.

The kirtsy book needed to show the energy of the living, breathing, real-time kirtsy site and all the women who keep it pulsing, but it also needed to archive what they were doing, to raise it up from the fast-moving, ephemeral content stream.  It needed to say, "You matter forever." " It's your birthday." "Let's stop and take some pictures and not just leave them in the digital camera, but let's print them out and put them on the wall." "Let's celebrate." In technicolor. In hardcover. On the coffee table.

And then it all made sense, and it seemed inevitable that the bottle for the spirit of kirtsy wouldn't be any old longneck or even a regulation crystal decanter. It's it's own thing--it's a little bit book-y, a little bit blog-y, with a touch of the magazine eye-candy sensibility we love. It's a freeze frame on right this minute: two hundred and some gorgeous pages that fit in perfectly with this eclectic, delightfully anachronistic era where we can read Plato on a Kindle sitting on a mid-century chair or we can read the best of a web content aggregate site in a luxuriously beautiful coffee table book on a fast moving train.

Change is inevitable, but the kirtsy book reassures that it doesn't have to be scary. It can be warm and full of love. We can have the ability to go fast, but choose to linger. Modern doesn't have to be a highly technical or dystopian Transformers affair. Having choices may allow us to barbecue a few sacred cows, but it does not necessitate throwing everything we've loved on the fire. How we meet  change is our perogative, and there is room for richly varied approaches.

I chose one that is a little bit old,  a little bit new. A little bit country, and a little bit...well, you know. Join us at Bright Sky as we raise a toast to a new book from a new bottle. As Katherine Center so eloquently puts it: this one's for the girls!

It's a celebration!

 

 

What you leave behind is not what is engraved in stone monuments, but what is woven into the lives of others.
~Pericles

(photo by @lmayes from stop #2 on The Kirtsy Book Event Tour of Justice)

 

What Publishers Drink: Something to Tweet About

I have strict rules about when I let myself tweet. It's a slippery slope.  Without self-discicpline, I'd be tweeting all the time, tweeting instead of reading more nutritious fare, sneak tweeting with my orange juice, and staying out until all hours tweeting. Self-control is important here, because it is so easy to do "just one more," instead of getting work done, picking up the carpool on time, or filing paperwork.  I'm old enough that I still generate paperwork, and stuffy enough, too, that if I am with someone and want to tweet, I'll say "Excuse me while I tweet." But I could lose myself for hours just watching new tweets, little messages in bottles, float down my screen.

Here's one that popped up out of the briny deep the other day from @bookbinge, three readers in sunny Southern California who share their ideas about books they read and other book-y things.

"Learn how to drink scotch to impress your publishers...”

it.

"We've always done it that way." But have we? We used to illuminate manuscripts by hand in monasteries. Then came moveable type: some celebrated, some freaked.  The democratization of information was on. And from offset printing through the paperback revolution of the '50s and on into blogs and the current furor of ebooks, kindle wars and Filene's Basement pricing of books, one thing remains: people want to share their stories. We have always done it that way.

I caught myself, realizing that the warm paralysis that closes around me when I enter the twitter zone was swaddling me tighter, rendering only my fingers capable of moving. I was double deep in reverie and aimlessly philosophizing with myself. Days could have passed if I hadn't snapped to and pushed my mouse away. No more.

With breathless efficiency, I charged back up to the surface of my desk, up thorugh hundreds of emails, past teetering cairns of sticky notes and mammoth mounds of manuscripts. Back to the business of putting books together--wrapping authors' stories in beautiful hardcover packages to carry out into the market place and share with the expectant crowds. At a discount.

Back in the cold light of day, I realized I had narrowly escaped the time suck. But I couldn't stand it.  I had to have just one more.  I logged back on:

@bookbinge Publishers don't drink scotch anymore. They drink Shiner beer. Mandatory scotch ended when retail pricing became obsolete.

Publishing is changing, and publishers, editors, authors and readers can drink whatever they like. And they can communicate in whatever medium they like, if they can handle it.

As for me, although I'm pacing myself with Twitter, I drank the book kool-aid long ago. Whatever vehicles story-telling and information-sharing hop aboard, whatever wine dark seas they cross, I'm in. And if I'm not strong enough to hold on or keep up on my little hard-cover raft, lash me to the mast so I can keep going. 

Publishing is a never-ending, ever-changing, ever-challenging odyssey: a worthy quest, even if it will drive you to twitter.

Just do it responsibly.

 

"I like to have a martini, two at the very most..."
~Dorothy Parker

 

Texas Is Not The State I'm In

When I was in fourth grade, it seemed like everyone in my class went skiing for spring vacation.  I told my parents at dinner one night that I wanted to go to go on a trip. To Vail.  I wanted to go on a gondola, drink hot chocolate and wear enormous furry snow boots. I wanted to go somewhere wonderful, somewhere not Houston.

"You want to get out of Houston?" my father asked. And he proceeded to offer me a bus ticket to Conroe,  45 minutes up the highway.  I didn't think it was funny at the time, but as we went on fewer and fewer trips--less than zero, to be precise--the Conroe ticket became one of our family jokes.  Eventually the economy picked up, our ship came a little further in, and we did go some where wonderful--to the Cayman Islands where we danced with the Barefoot Man until the sun came up over the seven mile beach.

But by then I had already started traveling. Books had become my tickets beyond Conroe. Once, like Lucy, I figured out that having the right frame of mind could open the back of the wardrobe for me, I was out like a shot. Books became voyages to anywhere I wanted to go--vehicles to fantasy lands like Oz and Narnia, time travelships taking me to hang out with Abigail Adams or Polly Jefferson, and then places farther afield--the real world of grown ups that I wanted to know everything about but was afraid to ask.

When I finally did get to go on that long awaited spring vacation trip, my brother invited me to windsurf, but I was in India, during the Raj.  I had started The Far Pavillions, and although he begged and taunted me to leave my book and come into the water, there was no place I would rather be than between the covers with Ashton and Anjuli. To this day I can't windsurf, but it was a great vacation, reading under a palm tree, cooling off in turquoise water between chapters, barely avoiding suttee.

Now I am widely traveled, in my mind.  I have eaten white grubs off a stick with Aborigines down under, I have been to Asteroid B612.  I have cocktailled in Paris with Fitzgerald and Hemingway simultaneously, and I have endured cold nights with Ernest Shackleton at the Pole.  I have throbbed to the rhythm of the juke joint with Celie, slugged bourbon with Tennessee Williams, and walked the streets of New York with characters as diverse as Peter Lake, Simon Morely and unnamed yuppies. I have been around.

At one point, I thought I would eventually go to all these places and meet all these people--or their contemporary counterparts--in real life.  But real life takes time; you can't dog ear it and put it on your bedside table when you get tired. You have to keep at it. And while there are those who find time between kids and mortgages to travel to exotic places wearing shorts that zip into long pants and others who are always back from here, heading there and recommending restaurants in Bejing, that has not been my journey.

I love hearing about these adventures, but my adventures seem to happen closer to home, between the covers, and that's alright with me.  Between the covers of books I have been more places than i can ever imagine.  The more intimate I have gotten with books--the more I understand their parts, their structure, their syntax, their strengths and their shortcomings--the more I find myself in their thrall and the more they transport me.

And now, it seems, books are taking me places in real life, too.  Last weekend was the Texas Book Festival in Austin, a little further down the road than Conroe.  Bright Sky had five authors featured, and they took us on an amazing tour that included  Davy Crockett's days in Congress, the haunting ballads played at the seige of the Alamo, the Kingdom of Didd , the vast beauty of Big Bend and the dawn of Texas when pirate gold was the currency of the realm. This week, my life in the book world brought me to California, to a peaceful zen monastery, where I found myself dining and philosophizing with people from China, Russia, Argentina, Mexico and beyond. In a month, I will be headed to New York City to hear books presented to our distributor by presses all over America and England.

I have a good friend from Tennessee.  She became a Texan reluctantly. Whenever she goes home, or whenever my family finds ourselves driving in Tennessee, we call her up and sing, off key, "Tennessee's not the state I'm in." It's a little bit silly, but it's come to say a whole lot about how thankful we are to have her in our lives in Texas. And how thankful we are to be in Texas ourselves.

I eventually got to Vail; still never to Conroe. But now I know: Texas, Tennessee, California or Connecticut--it's not the state I'm in, it's the state I'm in. Whether I'm in Tuscon or Tucumcari, if I grab a book or a manuscript, I can get straight out of dodge to anywhere I want to go, No suitcase, no jet lag, no reservations. I can't be everybody I want to be.  I can't go everywhere I want to go.  But not only do books take me places, this book life transports me to a state of mind more wonderful than my wildest fourth grade imagination could ever have conjured.

And that's the ticket.

 

“One’s destination is never a place, but a new way of seeing things.”
~Henry Miller

 

Putting the Social in Social Media

At our warehouse, which we call the Bookspace, we have events. One of the wonderful things about being an eclectic publishing house is that we have eclecctic events.  We have had a wine tasting for Messina Hof (which was delicious), a dinner tasting by a really nice new friend chef to promote his new book Empty Bottle Moments that we didn't even publish, and a bug yoga event.  We have also hosted a variety of more standard fare book signings, holiday promotions (some more successful than others, don't ask me about Father's Day) and a wonderful relaxation lunch series complete with a divine smelling purification aromatherapy oil. 

Events in the warehouse always serve to remind me how much I love this town--H'town, the fattest town in America, an international mecca, the art car capital of the universe, whatever moniker you think is appropriate. Because, whatever you call it, Houston is a big town, and there is room for all sorts of unbridled creativity, festiveness and general goodness. Random acts of friendship and fun are pretty commonplace here, and I love that. Houston has a generous spirit.

Our most recent event was one in a series: Bright New Media. The Bright New Media series is what we call social media socials.  Two amazing women, Monica Danna and Laura Mayes--and the occasional accomplice--teach our extended group of friends how to tweet, blog, news feed, build their brand, have more fun on Facebook, and generally navigate the wired world with savior faire.

And at these socials, the spirit of this town shines. Everyone comes together with their gifts and shares them. As these knowing internetrepreneurs feed our minds, the Stone Kitchen feeds our bellies (wherein, I swear, lie our souls. Remember the fabulous Annie Dillard quote from Teaching a Stone to Talk about the mind freaking out after seeing an eclipse, and then being totally silenced by fried eggs? So classic.)

"The mind wants to live forever, or to learn a very good reason why not. The mind wants the world to return its love, or its awareness... The mind's sidekick, however, will settle for two eggs over easy. The dear, stupid body is easily satisfied as a spaniel. And, incredibly, the simple spaniel can lure the brawling mind to its dish. It is everlastingly funny that the proud, metaphysically ambitious mind will hush if you give it an egg." 
— 
Annie Dillard

 

 

 

 

 

 

The Stone Kitchen food is truly soul food. Worthy of Annie Dillard exposition. Almond crusted chicken tenders, creamy spinach and artichoke dip, raspberry cheesecake bars, smoked gouda dip, spicy chicken satay, crisp spring rolls...and always something new. And we get to eat this amazing fare while we learn how to get current on line and meet really friendly, interesting and productive people from all over this great town. All sorts of metaphysically ambitious minds from all walks.

And that is the miracle on Chaucer Street. One author has a great web content aggregate platform, another author has a great brewery.  Still another has a great catering company, another knows a social media guru with a generous spirit, and poof! Truly social socials. Something to tweet about besides #The Office. Food for thought.

These are magical afternoons for me. There is nothing finer than learning new stuff, except, perhaps meeting new friends. Top it off with a good feed, and it beats anything I've ever read about in Shelby

So much to learn, so much to share--between the covers, and way out in the ether. This is where social media speaks to me: when it brings like minded people together who might have passed each other by on the street and lets them break bread together.  As much as I have been besotted with books throughout my life, I find myself equally enamored with the concept of finding my tribe on line.

I hope at some point you'll be in our neighborhood and get to come to one of our socials.  One of them is sure to pique your curiosity.  We are blessed with a wealth of talented authors, illustrators, editors, designers and friends. And sooner or later we will showcase them all in our little Bookspace in Rice Village. 

Only connect. Whether it is in 140 pages or 140 characters, it is always worthwhile, always wonderful.

 

The cure for boredom is curiosity. There is no cure for curiosity.
~Dorothy Parker

Editing: The Other Side of Paradise

For almost 25 years , I wanted to be a man. But my husband needn't fear; I didn't want to be just any man.  I wanted to be Maxwell Perkins.  Who in my profession doesn't?

I met Max through a high school obsession with F. Scott Fitzgerald.  I wasn't old enough to understand the real poignance of his stories, but flying around in elegant roadsters wearing fringed dresses and long looped pearls and slugging gin to the soulful sounds of sax seemed like pretty much perfection at that point.  It's funny how being a grown up looks different from the inside.

One thing leads to another, and in the logical way, reading Fitzgerald lead to reading Hemingway, Hemingway led to Lardner, the head bone's connected to the neck bone, they all led to Zelda, and she of course led tragically to Asheville, which led to Thomas Wolfe, which brought them all resoundingly back to Max. The one thing these American literary magicians seemed to have in their common tophat was their editor.

And it was with Max that it all became really exciting to me. Here was a life more intoxicating than the Jazz Age, a life of words found in boxes and placer-mined for meaning, a life of contemplation, and a life of constant stimulation from the truths so evident in fiction. That was something beyond a winter dream, something real, with a work ethic.

Max Perkins always wore a hat.  They say he wore it for two reasons: he wanted people to think he was on his way out, so he wouldn't get drawn too long in conversation, and it held his ears forward. Well, there is nothing wrong with my ears except a torn earlobe from too much editorial advice offered over the phone during the big shoulder pad, big earring 80's. But being drawn too long in conversation is a definite peril of the profession. There is every thing to discuss, and there are endless ways to consider it.

Time passes, sometimes like a river, sometimes like a small, ever-rolling stream, and sometimes, when we are lucky, like a quiet, trout-filled mountain eddy.  But whatever its pace, it moves. And twenty-five years later, I find I am still a woman, still not Maxwell Perkins, and very glad of both. My river has washed me from Texas, through Wolfe's Asheville, Fitzgerald's  East Egg, all around the literary landscapes of America, and, oddly, never to Paris. But it has still been a moveable feast, and the take-away remains that pursuing truth through books--whether reading, writing or editing them--is a path through life every bit as intoxicating as a night at Jay Gatsby's.

The Hemingways and Fitzgeralds who bring me into my manuscript strewn office each day now are not angry young men with drinking problems and deranged wives, they are a more unique crew, a band of brothers and sisters whose paths cross in our hall or at our warehouse parties. They have little in common: they are food critics, bird rescuers, science teachers, ministers, sport psychologists, numismatists, flower-arrangers and so much more, from so many interesting corners; and they have everything in common: they are dedicated writers.

As they are not Ernest and Scott, I am not Max. We have all looked homeward, and we find that rather than going to New York or Paris,  we will work on our books together here. Maybe we take tea at Ruggles rather than champagne at the Ritz, but, together, we raise our glasses high: to a lost generation of writers, a lost world of publishing, and a new world of books, blogs and contemporary communications that we are creating out here on the frontier. Bright Sky Press makes books by Texans, books for Texans, and, mainly, books for book lovers.

So here I am: not Max, not Zelda, not even Mabel Dodge. Just me, still hooked on words, still panning for gold, and so very thankful for the authors who make it possible for me to be living this life of books.

And here I'll hang my hat.

 

Where were you fellows when the paper was blank?
~Fred Allen

 

Travel in Texas

When I was in high school, we hung out in an old bank building that had been transformed into a music club, really a bar.  It was OK with our parents; we were all eighteen, more or less, and of legal drinking age.  The bar was called Rockefeller's, and across Washington Avenue was a barbecue place called George's  on Washington.  Young sophisticates, we thought the names of these establishments were clever--almost as clever as we were.

Rockefeller's was dark and smoky--as all good watering holes were in those days--and it felt so adult.  On our own, away from our parents, our homework, and our innocence, we were free to touch base with all the important  vices of the era: longnecks, music, dancing.  It was wild. or so we thought. Our parents probably couldn't have come up with a better babysitter.  Put the children in a confined space where they can dance the night away and come home happy and exhausted.  The dark landscapes of James McMurtrey were not in evidence with our crowd--this was all about the rhythm of the lone star night: blues, folk and and rock-a billy.  Night after night, we internalized these soulful beats before heading to Austin or further afield for higher education.

In this age of vinyl innocence, The Man was a singer/songwriter named Shake Russell. He had shaggy hair that brushed his nehru collar, and a soft voice filled with tender emotion.  Our boys wanted to be him, and we thought that every song he sang, he sang for us.  Show after show he mesmerized us, not with his moves, his biceps, or his six-pack, but with his voice and his lyrics: You've Got a Lover, Deep in the West, Pretty as a Picture. 

Beyond songs, these were anthems whose lyrics we tattooed on our hearts to bear witness in our next life. College roommates were initiated into the mysteries of Shake,  and vacations were spent reconvening at Rockefeller's, to see one more show, to hear You Wouldn't Know Me one more time before last call. 

Eventually, other musicians took Shake's place in our hearts--wild things came on the scene, like Madonna and the late great Michael Jackson and more sophisticated crooners like Elvis Costello, the Talking Heads, and R.E.M.  It was the end of the world as we knew it, and Shake was forsaken.

But eventually, adventures beyond the border taught many of us the value of the state of mind we know as Texas. Jerry Jeff, Waylon and Willie took on new meaning for us prodigal longhorns.  Our more jaded sensibilities led us to Texas singers more road weary than Shake, and our taste ran to the Flatlanders--Joe Ely, and Jimmie Dale Gilmore--bards, poets, battered yet still believers.  Shake went  into  the hatbox in the closet with football game mums, algebra report cards, and other  relics too sacred to toss, too yesterday to display.

But then in a strange wrinkle in time, we were not rebellious, overgrown  children hitting the bars, finding the cool spots, and hanging out anymore. We were the parents.  Our kids were little, and a big night out was dinner at Cafe Express with out them.  As they grew, we finally found ourselves moving beyond Bananaphone.  And when they became old enough to join us in adventures across the state, we began to introduce them to the sounds of Texas. Where did we start? The wheel in the sky came full circle, and we were with Shake Russell, right back where were started from. 

This past week, I traveled across miles and miles of our great state.  Editorial work in New York consists largely of intellectual journeys,  Walter Mitty adventures across Rear Window airshafts and hard treks on crowded subways.  But  here, even in this age when fast, imported automobiles  have replaced prairie schooners, publishing entails covering ground, crossing territory.  And it means loading up the ipod with road music. No Frank Sinatra, no Cole Porter, no Starbucks-sophisticate compilation. Heart music, soul music, Texas music. To be a good editor in Texas, you need more than track changes, you need the right sound track.

Monday saw me heading west with Cherie Colburn, author of Our Shadow Garden, a tale about a loving grandchild who creates a night blooming garden for a grandmother whose doctor has forbidden her to be in the sun.  The art is by the children of M.D. Anderson's Children's Art Project, and it is a moving testament to the healing power of gardening.  Cherie and I were off to see Joy Fisher Hein, illustrator of our upcoming picture book biography of David Crockett, in her home on Lake Medina.  These talented ladies have cooked up a new book about the legends of favorite Texas wildflowers, Bloomin' Tales.  Both Joy and Cherie are master naturalists, and every step of my journey with the two of them informed me about native plants and animals, including stories about morning glories and vultures that would prove very useful in the next few days.  Our time working on Bloomin' Tales ended too soon, and I headed back down the trail for Houston.

The next day, I was back in the saddle, headed for the Fandangle in Albany.  Albany, Texas is the spiritual home of Bright Sky Press, and it is an amazing Texas town.  From the beautiful courthouse on the square, to the working ranches that surround the town, and back in time to the brave pioneers who stood fast on the Comancheria,  the town is pure D Texas, in the best way.  And along with the ranchers, the cowboys and the be-starred sheriffs, Albany has creative talent, too--writers, illustrators, book designers, museum curators, rare book aficionados, everything,  Remember, book towns surround us--we have only to open our eyes to see them.

As the last strains of the Fandangle's calliope drifted up to the Milky Way, I headed back towards the piney woods, back to my office piled high with manuscripts and messages. The lady of the highway once again, I saw the shimmer and felt the shake. I realized that by hitting the road,  I had left my burdens behind me. Travelin Texas. Road Songs. Shake, rattle and roll, heading down the highway now, I know that wherever I may wander in pursuit of stories, with familiar anthems  in my heart, I am always deep in the west.

And whether I'm wearing ruby slippers or my best Tony Lamas, there's no place like home.

Shake it up!

 

The only way to know how much is enough, is to do too much, and then back up.
~Jerry Jeff Walker

The One That Got Away

People don't usually equate the unpretentious little town of Lamar, Texas (just past Holiday Beach on the way to Rockport) with Big Sur, but the flat gray green water of the bays there have a power that strikes me as the Lone Star version of the craggy California coast's impact on Henry Miller.

When I was an editor in New York, and mistakenly thought I would remain a New Yorker to infinity and beyond, I made periodic trips back home to Texas.  We would pile in the car, grab Fritoes and Shiner and head down to fish. I'd start out all dressed in black, full of serious literary news for the folks in the hinterland, but by the time we crossed the Brazos, I'd have loosened my proverbial necktie and started acting like who I was again, rather than who I was trying so hard to be.

Through the next couple of days--days spent on air boats, weathered piers and rusty dingies, days starting at 5:30 with serious bacon and eggs, hot sauce, biscuits and honey, cantaloupe and bitter coffee, days chasing redfish, drum and trout (but more often than not yielding hard heads and sting rays)--I would bob along, mindlessly.  The intense ideas that had pounded through my temples during the preceding months  drained away like water out of a self bailer, occasionally sloshing back in, but never filling the hold or threatening to capsize my boat the way they did in my office on Fifth Avenue.

When the fish weren't biting, and when I wasn't busy wiping sweat out of my eyes and replacing it with ill-placed sunscreen, we'd just sit around and tell stories--fish stories, animal stories, people stories. And unless our laughter had to bust its way out before it choked us, we'd tell them quietly, so as not to scare the fish away, fish who were thinking about taking someone's golden spoon or my no-fail, dirt-bag dead bait on the bottom.

And as we fished, or didn't, I head stories about keepers and ones that got away, tried and true lures for catching the fish/animal/man of my dreams, and methods of dealing with sting ray attacks that were a little too long on bodily fluids to make me feel quite ready to meet an emergency like that.  I heard about spoiled young men shooting endangered birds and the wild and wily ways they tried to weasel out of reparation.  I heard tales of herons, bobcats, bucks, whoopers, bull reds, drunks, preachers, and one hot mama fish-and-game warden who not only packed heat but wore her ammo cross-your-heart style like a tequila shot waitress at the Cadillac Bar, enchanting fishermen,  young and old, single and married, with a siren song that brought out their inner Jimmy Carters--and sometimes Bill Clintons. 

Occasionally I'd fight a black drum, or pull up a slender iridescent ladyfish in between tales.  Bobbing or shuffling along, the only time that mattered was the countdown to lunch--how long 'til fried chicken, how many more holes to hit before heading in, how imperative was it to shower before tucking into that great greasy reward? Out there in the bays, the neurotic drumming of the New York literary tribe faded into a pleasantly exotic rhythm, and rather than dancing in a red-shoe frenzy to keep up with it, I could instead look at it in a somewhat bemused, appreciative way, focusing on the  excitement and the opportunity it provided stories to be heard.

Soothed, amused, enlightened and enchanted by great outdoor morality tales, packed with fried food, and somewhat sunburnt, I would return to the Big Apple ready to publish books that spoke of life west of the Hudson.

When I'd hit the editorial meeting after one of these forays back home, I'd say, "I've got a great idea for a book about: fish stories, hunting stories, Southern Belles, barbecue, Mexican food,  Texas football...the  list went on. Inevitably, each intelligent, refined face around that glossy wooden table would glaze over. No one buys books about subjects like that. Those people don't have a platform. Who would buy their stories?

Well, after awhile, as Jimmie Dale says, I realized that I did. That I cared more about real people's real stories than I did about another Kitty Kelley expose, That I did believe most books in this country are actually read west of the Hudson. That I had had a great education in publishing, but it was time to come home.  I wanted grass, trees, roots. I really was a Texan, not a New Yorker, and if I couldn't publish books back home, perhaps I could be a teacher, using the same skill set to help people learn how to share their stories. 

One of the first things I did when I got home was head out fishing. I limited out on reds and drum. My fishing skills impressed one man so much that he decided, after awhile, that we should get married. Once we did, I stopped touching bait. "That's what I have you for, honey." But I still fish.  While it is not the necessary therapy it was during my New York days, I will always love bobbing along on the bays.

The road not taken has lead from teaching about books right back to publishing books, and I have to laugh. Here I am at Bright Sky, editing books about real Texans and by real Texans--books about barbecue, biscuits and beans and on beyond, from Mike Marvin's Big Bend to Carla Powers Herron's Big Sandy and Bebe McCasland's Big Spring.

Texas is a big state, full of big fish, big hair and big stories. And at Bright Sky, we're always fishing for more. Some we've caught, and some have gotten away. But whether we use DBOB or a golden pencil to lure them in, there are far more tales out there waiting to be told than we could ever reel in.

As Taj Majal always says: Many fish bite if you have good bait.

 

 

Big Sur is not a Mecca, a Lourdes, or even a Lhasa. Nor is it a Klondike for the incurable idealist. If you are an artist and think to muscle in here, it would be wise to first find a patron, because the artist cannot live off the artist, and here every other individual, seemingly, is an artist of one sort or another. Even the plumbers.
~Henry Miller

Pole Dancing and other Rites of Spring

One of the reasons I so prefer writing over speaking is that even in this age of advanced technology, Steve Jobs and Bill Gates have yet to create a delete button that can get my foot out of my mouth. I'll hear someone saying something and just start riffing off of it, a Tourette's like responsiveness, long before the whole concept of what they are saying sinks in.  My family's favorite example of this is the Pole Dancing Affair.

Since 1899, our church has had a party called May Fete. It harkens back to Anglican tradition, or perhaps more accurately, to Beltane and pagan fertility rites.  A king and queen are crowned, and all the other children sing and dance the May Pole to honor them. Dancing the May Pole is quite an art, somewhat akin to knowing all the steps of the Tango or the Cotton-eyed Joe and being able to pull it off with a dozen other people who may or may not have practiced.  Howard Hughes was once crowned King at this fete, and it is a delightfully old-fashioned, somewhat weird and fun event with a definite time out of time feeling.

My daughters have both danced the May Pole in earlier years.  One night, after a particularly rough day wrestling with submissions, I bustled in to the dining room late to hear them conversing with my husband about Pole Dancing. Well, what enlightened 21st century mother of adolescent young ladies hears a topic like this without taking the opportunity to attempt to plant a Kernel of Knowledge?

"Pole Dancing?" I cried. "Those women have no respect for their bodies..." I explained all the reasons that bodies are sacred and precious and should never be used as commerce, and everyone around the dinner table looked somewhat aghast.  That's right, I thought, this is seriousThank goodness I can set the record straight now, before it's too late. I finished my diatribe with a definitive nod.

Everyone was silent until my husband shook his head gently and said, "We were talking about May Pole Dancing."

Oh. I'd like to believe that I could have recovered gracefully from that one, but I'm still waiting on the technology to be developed to save me from myself.

Needless to say, the May Pole has become something of a behold-the foibles-of mom touchstone at our house. Rather than remaining choked up on shoe leather,  I love finding out more about Pole Dancing--the May kind. It's origins are interesting, and learning where these rites of May are still important, even as little salutes--respectful or tongue-in-cheek-- to olden times fills me with a not unpleasant wistfulness.  No one I know has the time to even consider wandering lonely as a cloud o-er vales and hills these days.

So, my earlier confusion aside, I still consider May Day and it's attendant rites gentle, pastoral, and bedecked with flowers.  When I edited a book last year called Radiant Girl, by Andrea White, I was reminded with surprise that far beyond the innocent simplicity of church pole dances, May Day is a significant day for political demonstrations, Labor agitating, and Communist revelry.

Radiant Girl tells the story of Katya Dubko, a young fictional Ukranian girl whose father works at the Chernobyl Nuclear Station.  He has thrown off the tradition and folklore of his people to embrace the power and prosperity that the station has brought to their village, and has repeated assured her that the station is so safe he would let a baby sleep there. On the night of her 11th birthday, one of the large reactors explodes. And life as Katya knew it--whether from the point of view of the wood sprites and legends of her grandmother or the allegedly safe and progressive technological advances of her father--explodes.

When you are living in a communist country, just as anywhere else, really, knowledge is power.  But it is much more tightly gripped by the leadership.  For Katya, it takes years to understand the degree to which her world--our world--was damaged in the explosion.  But the first thing she knows is that her opportunity to ride the ferris wheel on May Day with cute Sergei has  been stolen from her. The May Day parade and festivities are canceled as everyone is forced to evacuate.

May Day, Beltane, Labor Day, the Festival of Floralia: whatever name a society calls the festivity surrounding the spring solstice, it is about fertility, prosperity, growth.  It is not supposed to be about destruction.  So it is even more poignant that for Katya, to put her world together again in some workable way, she must find her way back to the May Day ferris wheel.

Pagan rituals, poles, trees, eggs, wheels: so symbolic and so transcendent. Writing offers such an opportunity to communicate clearly, to hit delete when necessary, and to make our stories say what we want them to say. Communicating is important, no doubt.  But, in my book these days, listening to other people's stories before jumping to conclude or comment has become even more important.

Reading about Katya as she emerged from Andrea's imagination, learning more about the Ukraine, understanding again the myriad ways that rituals from drastically different societies all come back to root desires we all share, is just another example of the gifts I receive from my work in publishing.

Thank you Katya, thank you Andrea, thank you Sam: I know a little more about the rites of May from listening to you.

A pause button might be as helpful as a delete.

 

I listened, motionless and still; And, as I mounted up the hill, The music in my heart I bore, Long after it was heard no more

~William Wordsworth

The Guide on the Side

I met a fascinating man on a plane recently.  He was a university professor on his way to a meeting where he was going to get further funding for a study his department was doing about a style of teaching called "The Guide on the Side." If you're not familiar with teaching lingo, "Guide on the Side" is pretty much the antonym of "Sage on the Stage." When I was a teacher, it was the way I liked to teach: not as an expert, but as a more experienced person whose job was to lead learners to understanding.  

Editing is like that, too.  I am really not an expert at anything, and I'm far less knowledgeable than my authors.  But I do know where we're trying to go with their material, and I'd like to think that I know what makes books good--from experience, from intuition, and from sheer love of the things. So like a good sherpa, I take some of the burden, and we attempt to ascend the mountain together. The path is not always easy, sometimes we have to bushwhack, sometimes we have to belay each other. But through planning, careful work and good communication, we make it.

There are so many good metaphors abut the writing process, in Annie Lamott's wonderful Bird by Bird, for instance, or in the E.L. Doctorow quote "Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way." Sometimes on our trek we are in the fog: about the market for the book we are trying to create, about how closely we've been able to get the words to convey the author's meaning, about each other.

This is where faith comes in. We maintain our belief in the writing, our belief that it deserves to see hard--or soft--covers. And we keep moving forward, persevering through the normal challenges on any book's unique path to publication, until we reach the summit and plant the flag with the ISBN number. And that is always a heady, victorious feeling, no matter how many books you have written or edited.

For the guide on the side or for the author, publishing is not easy work, and it is never as glamorous as aspiring writers imagine.  It can be demanding and tedious. But I will tell you a secret:  The published book, the conference room full of beautiful volumes, the warehouse with cartons of wonderful books, even the stack on the front bookstore table are all perks, sidebars to the real story. The joy is in the journey. 

When I was guiding writing students, there was a poem I loved to share.  It is by a lady named Marge Piercy, and it is published in book filled with amazing poems called Poetspeak. Talking to the professor brought it to mind, and I am intrigued by how it applies as much to published authors as it does to aspiring ones. 

For the Young Who Want To

Talent is what they say
you have after the novel
is published and favorably
reviewed. Beforehand what
you have is a tedious
delusion, a hobby like knitting.

Work is what you have done
after the play is produced
and the audience claps.
Before that friends keep asking
when you are planning to go
out and get a job.

Genius is what they know you
had after the third volume
of remarkable poems. Earlier
they accuse you of withdrawing,
ask why you don't have a baby,
call you a bum.

The reason people want M.F.A.'s
take workshops with fancy names
when all you can really learn is a few techniques,
typing instructions and some-
body else's mannerisms

is that every artist lacks
a license to hang on the wall
like your optician, your vet
proving that  you may be a clumsy sadist
whose fillings fall into the stew
but you're a certified dentist.

The real writer is one
who really writes. Talent
is an invention like
phlogiston
after the fact of fire.
Work is its own cure. You have to
like it better than being loved.

So I guide, from the side, and as I travel with these authors, they teach me about what fire really is.

 

Nil sine magno labore.
~Horace

Visions of Books from Deep in the Heart of New Mexico

Now I am deep in the heart of New Mexico, in the snow—lots of snow.  It’s 18 degrees, so energizing after the gray-green 85 degree Christmas we just wrapped. Fourteen hours in the car provided lots of time to catch up on real reading—not just the slush I slog through to reach my desk every day.

So many things to read when you take a break from the office. As miles and miles of Texas whizzed by, I read a great articles in the Fortune Small Business Journal that told me that it is OK to be anxious in these times.  You have to love that insight.  But it went on to say that anxiety doesn’t need to be a freezing, incapacitating feeling that cries to be Xanaxed away, rather, it can be a freeing creative force, helping us to make positive business decisions. So, as New Year’s draws nigh, I make Resolution Number One: Embrace Anxiety.

I read a couple of other magazines—now this is a struggling industry that I hope never goes under--including the Real Simple lists for January issue.  Wisdom gained there: I will never be organized in a real simple way, but it’s pretty to think so.  Utne Reader, Bazaar, Texas Monthly, these offerings didn’t even get me even to Roswell, so I dove into Sarah Bird’s latest How Perfect Is That? which has been sitting at the foot of my bed, longing to be read since it came out this summer, but spurned for the siren songs of Work . Wondering who these socialite Texans are in real life, and wondering if Sarah is for or against Becca Cason Thrash, kept me occupied until we finally did make it to Roswell and I was distracted by a street light decorated like an alien with a Santa hat. Now that’s inspirational.

 

After drinking some hot green tea across from a snappy man in red sequined Chucks at the Starbucks, which was hopping and showing no signs of recession, I had to drive. Full of Zen tea and words, edited and published in the old ways, I watched the beautiful sunset playing across the windswept barren land that rolled on endlessly with no cell service. Our ipod only plays in the car from a squeaky tape that drives me crazy, so without even my usual Jimmy Dale Gilmore to distract me, I had plenty of time for reflection.

 

Here’s what I decided. People who work in the book business should never get too busy to read books. Real books, with covers and pages, printed by great printers like Asia Pacific who send such nice chocolates for the holidays. Kindles are probably great, but they will not replace sex, so they need not be feared—just embraced, like anxiety. Resolution Number Two: I will learn to twitter, but I will read more real books, too. Not just on vacation.

 

After I do a little more sledding, I’m going to hop in the tub, finish Sarah Bird’s hysterical novel, and try to twitter about it. Then, I’ll head over to Garcia Street books, a really great old-school bookstore if there ever was one, to find lots more good reads to remind me why I do what I do. Then, energized, exercised and inspired, I will sit by the fire, pull out a pencil, and dig into my editing—an amazing memoir about a brave woman who grew up in a weird religious cult, a lot like The Glass Castle; a touching children’s story about a grandmother, and an inspiring collection of articles about bird rescues by a wonderful Texas woman who has a column called Bird Poop. 

 

And as I do this interesting work, I will look out on the rainbow sun rays crossing the Sangre de Christos and be very thankful that while I do live in hard, anxiety producing times, I have also been blessed with opportunities for challenging work. Alien Santas, twinkling Chuck Taylors and God’s beautiful nature surround me—here in the pinon covered mountains, but also in the oaks around my office in Rice Village.  It is up to me to take the time to look.

 

The news for the book industry is bad, yes, but if we don’t react in panic, the future’s still so bright, we’ll have to wear shades—maybe even those really cool Maui Jim sunglass readers. They’re so much sexier than a pocket protector.

 

Tune in next time to see if we actually make it to the long awaited Bobcat Bite before heading back down the trail to Texas.

Yabba Dabba Doo says the Book Industry!

In these doomsdays of Kindles and Twitters, new technologies emerging daily, and old respected publishing houses thrashing in what might be perceived as death throes,  the editorial life seems anachronistic at best and overwhelmingly doomed at worst. So, like many in my industry, I dig deep for inspiration. I see constant references to Dickens these days, others channel Frank Capra. Me, I think of Fred Flintstone. From the foundations of my cultural repertoire an image of Fred appears, lurching off into the La Brea tar pits after his failed movie career. Remember Rock Granite and Tuesday Wednesday? Well, Fred survived his tarring to go back to the granite mines, so I am not betting on the demise of the book industry yet. If we’re willing to learn new tricks, we’ll live through the tough times and say Yabba-dabba-doo” again.

One thought keeps me positive. Books are like sex: although people have made all sorts of technological breakthroughs on ways to produce offspring, in this brave new world they keep having sex.  Just because we have Kindles, books are still sexy. People will always want them. Maybe not everybody, but then, maybe not everybody…never mind.  I firmly believe that a book looks better on a coffee table than a computer, a library is cold comfort with out books, and how on earth will intellectuals preen for friends who come to dinner if their shelves are not bulging with the important tomes that they have read (or have they? Only their hairdressers know).  Look at me: a profound intimacy with the Flintstones, The Addams Family and The Brady Bunch (and a wild crush on Keith  Patrtidge) has not kept me from a life-time love of books. So let’s assume that ringing out 2008 does not mean ringing out books. The question is, how will we regroup in a positive way in 2009?

 My daughter came home from camp this summer with the boggling news that we need to respond to situations, not react.  She is nine, and I have spent forty plus years reacting.  Why did no one share this sooner?  So, in response to the bad book news and the dubious glimmer of light that Amazon is  selling books briskly, I have decided that instead of freaking out, I will leave. Sometimes perspective is the best way to deal with overwhelming news. Not in an irresponsible, don’t get the work done way, or a sad, leave your kids behind way (like the article "Mommy Greenest" in the January Vogue I just read), but in a take a break/get new perspective/come back energized way. So, rather than answering more emails, scouring Publisher’s Weekly online for more bad news or ever-optimistically shuffling more manuscripts in the slush pile at home, I think I’ll pack up the kidsand take a Christmas Vacation. I had a crush on Chevy, too, after I got over Keith.

 I’ll keep you posted on any insights Clarence or other angels might share along the way.