The Twelve Days of Thanksgiving: Day Ten

At one point on my winding path, I taught Middle School English.  I've always felt that there were many similarities to being an English teacher and being an editor--both jobs are essentially about helping people find their strongest voice as a writer.  You just get the writers at different points in their own journeys.  Although one group is just discovering ways to express themselves in words and the other has decided to make a career or at least an avocation out of it, both groups demand the same understanding, both need to be listened to with equal sensitivity in order to trust that an editor/teacher person really gets what they are saying and will be able to bring their writing consistently up to its highest level.

After that major philosophical similarity, though, the two jobs diverge. And each has its own perks. For one thing, authors tend to smell better than sixth graders.  They don't need to be told not to run in the halls.  And you can have a beer with them.

I love being editorial director at Bright Sky Press, and I love the process of watching a book emerge from a conversation, rough notes, or a preliminary manuscript. There is great joy in watching someone pick up a book I've worked on and respond to it with genuine enthusiasm, or in seeing a familiar jacket peek at me off the bookstore shelf, an old friend waving "Hi!"

But I still miss teaching. One thing that was particularly memorable at the school where I taught was the annual Big Bend trip.  The entire eighth grade, one hundred plus kids, a couple of dozen teachers and some doctors for good measure would pack it down the road for a week of hiking and camping in Texas' remote natural wonderland.

It was an unforgettable experience, and I was lucky enough to go five times.  Each time I would sign up to lead different hikes, so I got a good perspective on the park.  It is a magnificent place--filled with mesas and mountains, fabulous flora and fauna, and a solitude so rich it leaves you completely satisfied with just being there, never lonely or overwhelmed. The first time I entered the park, I was surprised that something so geologically profound could exist in the same state as Houston.

On those trips, occasional moments of perfectly backlit transformative Natural Beauty would capture my attention. I never had a camera right when I needed it, and if I did, the pictures never seemed to do justice to the memory. But now it doesn't matter.

We have just published a book that is every wondrous Big Bend moment I ever had on steroids.  Mike Marvins, a fourth generation professional photographer, has been going to the Big Bend area of Texas for thirty years.  He has criss-crossed the magnificent wilderness on foot, on horseback, and by car.  He has gone alone, with his family, with groups of Boy Scouts. His intimate knowledge and love of the region combined with his ability to use a variety of cameras and photographic techniques allow him to memorialize the fleeting moments of beauty that most of us only hope to catch a glimpse of once or twice, if we are lucky.

Texas' Big Bend: A Photographic Adventure from the Pecos to the Rio Grande is MIke's gift to anyone who has ever been to the region, anyone who has ever dreamed of spending time out of time there, and anyone who just loves great outdoor photography. And he did it all to raise funds for groups that support the National Park and the State Ranch.

I miss teaching sixth graders; I miss my annual trip to Big Bend. But I am thankful that Mike's amazing book both brings back those memories for me and inspires me to unplug my family and head down the road to Marathon. His gift for photography presents an incredible corner of our country in a format that actually does it justice. Like a talented editor, he presents the Big Bend region in a way that lets it speak clearly for itself, transporting us there--physically and metaphorically, vicariously or down memory lane.

My trails have lead me back to a place I love. How fine to see it with new eyes.

Thanksgiving Tip #10 A  beautiful coffee table book featuring a rugged outdoor spot is the perfect tip off to visitors that you are truly a well rounded, perhaps even Renaissance, person. A KIndle on your coffee table might just make it look like you forgot to clean up.

 

Climb the mountains and get their good tidings.
Nature's peace will flow into you as sunshine flows into trees.
The winds will blow their own freshness into you...
while cares will drop off like autumn leaves.

~John Muir

Konnecting Kosmic Karachters

   

   

At Study Butte, with its merest suggestion of human enterprise – motel, gas station, café, all pretty much the same building – we turned west on a much smaller road. The terrain got angry, or maybe just tortured, and I began to wonder if even my four-wheel drive would be drive enough.
There was dust piled along the side of the road, with a strong wind blowing through the canyons that didn’t want to leave it there.
    “Terlingua,” Jud said.
    For those chili cook-offs the first Saturday in November, I’d read, 20,000 or more gathered around this non-town of a town, sleeping at night mostly in their cars or on the ground beside their Harleys. The place was Key West without any water, with each rusty old Airstream doing its best to look permanent with a fence or a lean-to – all things, by the look of them, constructed from leftovers to support the intrepid pursuit of beer.
    We pulled off the curvy road at one especially sand-blown patch, drawn in by the sight of seven would-be cowpokes with salt-and-pepper ponytails sipping from mugs around a stone pit. The fire had burnt down on the way to out, but the day was turning hot anyway. Flannel jackets and overshirts had been shed by the cowboys, lying in heaps like modern art all over the dry ground.
    “You’re kinda late for coffee,” offered the solid blonde woman who came out of the bright pink trailer. “But you’re kinda early for barbecue.” She made as to slap her forehead as the three of us stood facing each other. “My, where have all my manners gone? I’m Kathy the Kosmic Kowgirl.”

From Marfa Shadows, A Chef Brett Mystery by John DeMers

My mother was an interior decorator, when she felt like it.  She had an eye for space, color, and good design. The best advice she ever gave me in terms of my own interiors was if you stick with what you really like, it will all go together.  How interesting that her good advice holds true for publishing as well.

I have often said that publishing creates connection. Sometimes those connections are obvious and intentional, and other times they are joyfully serendipitous.

The excerpt above is from a gourmet noir mystery Bright Sky is publishing in the Spring of 2010.  John has written several dozen non-fiction books, plays and musicals and is well-known as a food critic around town. This is his fiction debut, and it connects everything he knows about great food with everything he has ever vicariously experienced as he read the novels of his mystery writer hero, Robert Parker.  And it adds that certain Lone Star junusekwa. I can't wait for it to be a book.

John's manuscript introduced me to Kathy the Kosmic Kowgirl.  Never having been to Terlingua--my cheeks redden as I write-- I thought he had made her up. And I thought she was a really good character.

Enter Mike Marvins.  In the fall, we are publishing a gorgeous collection of his Big Bend photographs in a book called Texas' Big Bend: A Photographic Adventure from the Pecos to the Rio Grande.  It's the first book to include every part of that mythic region.

Mike and I start talking about Marfa and Marathon and Alpine and eventually we get toTerlingua. Then he starts talking about Kathy the Kosmic Kowgirl. How does he know about her, I think.  John made her up. Well, eventually both authors set me straight, Mike sent me the rosy image above, and I realized that old saws become old saws by being true: truth is stranger than fiction.

While my radar is tuned to look for connection, I hadn't thought about the armchair of our mystery novel coordinating so well with the chaise longue of our photographic essay. But, just like mama always said, by acquiring what we like, it just goes together.  It's the new Art Library style, and I'm sure it will be vaunted by all the shelter mags next season.

I think I'll cover everything in a smashing pink silk and get an ottoman with fine passamenterie to complete the vignette. Trays chick, as we say in Texas.

 

 

To conform within rational limits to a given style is no more servile than to pay one's taxes or to write according to the rule of grammar.
~Elsie de Wolfe